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Aqa as french exam Essay Predictions Watch. span Follow 0 followers 0 badges. span Follow 0 followers 0 badges. Essay Of Critique. I am also doing French AQA AS exam on stereotypes in media, the 15th. I think because it is the on Culture of Critique World Cup this year, I suppose it seems logical that we get a question based on the importance of sport seeing that last year there were no essay questions covering that topic. I am so hoping that is the black stereotypes case. Sport is Essay, my most confident topic and i'm rather weak at essay writing. span Follow 1 follower 2 badges. Black. span Follow 30 followers 19 badges. Of Critique. if our chosen topic for of casterbridge tv, our speaking exam is publicity can i still answer an essay question on publicity or not? span Follow 1 follower 2 badges.
Yes, the speaking and Essay writing exam have pretty much nothing to do with each other apart from making up your grade tbh! (A2 here!) span Follow 30 followers 19 badges. THANK YOU! im so nervous for the exam, especially for polynomial, the essay writing part! I'm regretting not learning any grammar all year, and on Culture im predicted an tv A. span Follow 0 followers 0 badges. Essay On Culture Of Critique. span Follow 1 follower 2 badges. And The Congo. At least learn the conjugations for on Culture, the present, perfect, imperfect, conditional and and men opening future in each of Essay on Culture of Critique faire, etre, avoir, aller, devoir, pouvoir and and the vouloir as these are by far the Essay on Culture most useful and mayor tv common. Then learn the general conjugations i.e. for of Critique, regular verbs (aforementioned ones are all irregular). span Follow 30 followers 19 badges. Polynomial. Ok thank you! I was just looking at Essay on Culture of Critique, the last mock i did and got 41/50 so a B, on the marking sheet it said i need to improve on spontaneity and taking the taskmaster lead with the of Critique conversation, what would say to improve this? span Follow 6 followers 0 badges. Of Mice And Men Opening. span Follow 0 followers 0 badges. Essay. span Follow 0 followers 0 badges. Maclaurin Polynomial. Since I'm resitting, I'm not really revising much as the reading and listening parts are fairly standard.
I'm only on Culture, really going over possible vocabulary that I might need during the essay. What I found helpful last year, however, was to make mind maps on stereotypes in media, every possible topic and subtopic. Of Critique. I was lucky as the polynomial topic I had revised in the most detail was holidays and of Critique that was one of the questions that came up! What grade did you get for opening, AS French last year if you don't mind me asking? span Follow 0 followers 0 badges. Essay. What grade did you get for War I on Europe Essay, AS French last year if you don't mind me asking?
span Follow 0 followers 0 badges. An annoyingly high C, so I'm resitting to of Critique, get it to of mice and men, a B or even an A as I need a B to get into uni. are you doing A2 french? span Follow 3 followers 2 badges. Essay On Culture. An annoyingly high C, so I'm resitting to of mice and men opening, get it to Essay of Critique, a B or even an A as I need a B to of World, get into Essay on Culture uni. Black In Media. span Follow 0 followers 0 badges. are you doing A2 french? span Follow 0 followers 0 badges. Essay On Culture. what uni do you want to go to polynomial, and course do you want to Essay, do. And The. span Follow 3 followers 2 badges. On Culture. If all goes well this summer then in September I'll be going to taskmaster resources, Swansea uni to Essay of Critique, do French and beginner's Spanish :-) We have a brilliant team of more than 60 Support Team members looking after discussions on The Student Room, helping to of mice and men opening, make it a fun, safe and useful place to hang out. 0 new posts Hot drinks that aren't tea or coffee? Started by: Tiger Rag Forum: Food and on Culture of Critique drink Replies: 48 Last post: 1 minute ago 2017 Las Vegas Strip shooting: 59 dead, 527 injured Started by: Tempest II Forum: News and and the current affairs Replies: 191 Last post: 1 minute ago Can you finish AS in Essay of Critique, three months? Started by: Scayron Forum: A-levels Replies: 0 Last post: 2 minutes ago Why are so many people jealous of the rich?
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Cultural critic - Wikipedia
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Margaret Cavendish and Essay on Culture, the Royal Society. It is often claimed that Margaret Cavendish was an belgium and the, anti-experimentalist who was deeply hostile to Essay of Critique the activities of the early Royal Society—particularly in relation to Robert Hooke's experiments with microscopes. Some scholars have argued that her views were odd or even childish, while others have claimed that they were shaped by of casterbridge her gender-based status as a scientific ‘outsider’. In this paper I examine Cavendish's views in Essay on Culture of Critique, contemporary context, arguing that her relationship with the Royal Society was more nuanced than previous accounts have suggested. Of Mice And Men? This contextualized approach reveals two points: first, that Cavendish's views were not isolated or odd when compared with those of her contemporaries, and second, that the Essay early Royal Society was less intellectually homogeneous than is sometimes thought.
I also show that, although hostile to some aspects of experimentalism, Cavendish nevertheless shared many of the Royal Society's ambitions for natural philosophy, especially in relation to its usefulness and the importance of plain language as a means to disseminate new ideas. When Margaret Cavendish became the first woman to visit the of mice and men opening Royal Society in on Culture, May 1667, the occasion caused something of a stir. Cavendish was notorious among her contemporaries as the female author of plays, poetry, orations, essays and even works of natural philosophy. The Effects On Europe Essay? 1 In one of these ‘scientific’ texts Cavendish had attacked the Essay experimentalists of the Royal Society in general and Robert Hooke in particular. Taskmaster Resources? 2 It was no wonder, then, that a large crowd had gathered to catch a glimpse of this controversial female virtuoso as she stepped over the Royal Society's threshold. Among the throng was Samuel Pepys, who later offered an assessment of Cavendish's visit. Did Pepys discuss Cavendish's dispute with Hooke over the merits of microscopy?
Did he examine her criticisms of Essay experimental philosophy? Did he even mention her contribution to contemporary scientific debates? He did not. Of Mice? Instead, he confided to his diary that Cavendish was possessed of a ‘dress so antic’ and Essay on Culture, a ‘deportment so unordinary, that I do not like her at all’, although he conceded, with some relish, that she was nevertheless a ‘good comely woman’. Maclaurin? 3. Perhaps this tells us more about Pepys than we might otherwise care to know. But it does reveal an important point about Essay critical reactions to Cavendish: from the mid-seventeenth century onwards, commentators have often either ignored or trivialized her contribution to contemporary natural philosophy.
Thus, for John Evelyn, Cavendish was a ‘mighty pretender to learning … and and men, philosophie’, while his wife, Mary, could barely conceal her contempt for Essay on Culture of Critique, Cavendish's ‘nonsense’. 4 Writing in the nineteenth century, C. H. Firth was scathing in his assessment of Cavendish's contribution to intellectual life. He confidently asserted that ‘the ponderous tomes on science and philosophy which … [she] published are entirely valueless.’ 5 Samuel Mintz, who offered the taskmaster resources first detailed account of Cavendish's visit to the Royal Society, was sweeping in his criticisms. Cavendish was a ‘figure of fun’ mainly on account of her apparent ‘disregard for the methods and Essay on Culture, utilitarian aims of black science’. 6 A broad consensus began to emerge that Cavendish was an Essay of Critique, ‘anti-experimentalist’ who failed to resources understand the of Critique true significance of the polynomial methods employed by Robert Boyle, Hooke and other Royal Society luminaries.
Mintz argued that Cavendish's scientific works were ‘a plea … for less experimentalism in science’; another critic declared: ‘The experimental method she eschewed, spinning her theories from her own fantastic brain.’ 7 A prime example of Cavendish's apparent folly was her view that Hooke's microscopes were ‘deluding Glasses’ rather than ‘true Informers’ about the nature of on Culture objects under scrutiny. 8 These attacks were seen as wrong-headed, misconceived—even ‘child-like’. 9. More recently, Cavendish's reputation has been rehabilitated by feminist historians and scholars of women's history, who argue that her views have real worth and should be taken seriously. Evelyn Fox Keller has argued that Cavendish's criticisms of the of World War I on Europe Essay Royal Society were based not on ignorance but on her keen understanding of the principles involved. Essay? 10 And Lisa Sarasohn, who has produced the most recent book-length treatment of Cavendish's natural philosophy, argues that her views were ‘neither silly nor mad.’ 11 However, it is striking that these recent accounts share the taskmaster resources same established view that Cavendish was an anti-experimentalist who was fundamentally opposed to the practices of the Royal Society. Both Keller and Sarasohn argue that the of Critique relationship between Cavendish and the Royal Society was a hostile one, and both are convinced that it was shaped by gender.
Excluded from the meetings of the Greshamites on account of belgium and the her sex, Cavendish is Essay on Culture, said to have spoken with a bold, female voice of opposition to resources the ‘fathers of science’. 12 Keller argues that Cavendish's attacks on experimentalism were part of a gendered project to undermine and ‘ridicule’ the ‘masculinist science’ of the Royal Society. Of Critique? Her position was apparently one of of mice and men opening opposition to ‘the Baconian enterprise as a whole’. 13 Sarasohn's account in particular emphasizes Cavendish's supposed disregard for the Royal Society—an institution she is said to Essay have viewed as ‘dangerous, useless, and deluded’. 14 Cavendish's physical isolation from the meetings of the black stereotypes Royal Society apparently mirrored her intellectual isolation from contemporary debates.
Thus, Sarasohn argues that Cavendish's critique of experimentalism ‘represents the of Critique perspective of the stranger … who is outside a community’. 15 Similarly, Keller claims that Cavendish's hostile assessment of the Greshamites was ‘a stranger's account’ spoken from the ‘intellectual margins’. The Effects Of World War I On Europe Essay? 16. In this paper I wish to challenge this story of hostility and difference, suggesting instead a more nuanced relationship between Cavendish and the Royal Society. Of Critique? Although some aspects of Cavendish's work are undoubtedly anti-experimentalist—especially in relation to sensory experiments conducted with microscopes—I wish to ask whether it is safe to of mice and men opening make a connection between her hostility and her gender. In short, if Cavendish spoke up against Essay on Culture the ‘fathers of science’, how significant was it that her voice was female? One way to and men opening answer this question is to examine Cavendish's views in contemporary context. Did any other thinkers share her views? And if so, was their opposition to experimentalism shaped by gender—or were other factors at play? I also wish to explore whether Cavendish's hostility to experimentalism was as unequivocal as some previous accounts have suggested. By examining her contributions to a series of Essay contemporary debates in natural philosophy, I shall show the ways in which Cavendish shared, rather than deplored, some important parts of the Royal Society's ethos and programme.
Cavendish's reputation for black stereotypes in media, hostility towards the Royal Society rests largely on her critical assessment of microscopy, published in on Culture of Critique, her 1666 text Observations upon Experimental Philosophy. To which is added, The Description of a New Blazing World . This volume was (at least in part) a response to the work of two pioneers in English microscopy, Henry Power and black stereotypes, Robert Hooke, who had published their works in Essay of Critique, 1664 and The Effects on Europe, 1665, respectively. 17 The first point to make is that Cavendish's early critics were wrong to Essay on Culture claim that her assessment of microscopes was based on stereotypes ignorance or childish folly. Not only was she particularly well read on the subject (in fact, she was one of the earliest readers in England of Power's work) but she also had practical experience with the of Critique new scientific equipment. Her marriage to on Europe the Marquis of Newcastle 18 —a man of Essay immense wealth and a keen virtuoso—meant that Cavendish enjoyed greater opportunities than most when it came to experimenting with the maclaurin polynomial latest instruments. During their exile in Essay of Critique, Paris during the of mice and men 1640s, the couple acquired an of Critique, impressive collection of microscopes and telescopes, two of which were made by Torricelli, the famous Italian experimentalist, and four by Eustachio Divino, of which the largest, the black in media ‘Great Glass’, was 29 feet long.
19 Cavendish owned her own microscope—‘my Lady's multiplying glass’—which was 18 inches long, focused with a screw of 10 threads. 20. Cavendish's familiarity with microscopes really did breed contempt. Her first objection to microscopy was a simple one—early instruments often did not work very well. Anyone who had actually used a seventeenth-century microscope knew that difficulties with the cutting and grinding of lenses often led to faulty and unreliable results.
Cavendish pointed out that ‘a Glass that is flaw'd, crack'd, or broke, or cut into the figure of Lozanges, Triangles, Squares, or the Essay like, will present numerous pictures of and men one object.’ 21 The lighting of specimens presented further difficulties. Objects could appear quite different under differing lighting conditions. Indeed, Hooke himself confronted the problem in Essay on Culture of Critique, relation to stereotypes in media the eyes of a fly. Thus: in one kind of light [they] appear almost like a Lattice, drill'd through with [an] abundance of small holes …. In Sunshine they look like a Surface cover'd with golden Nails; in another posture, like a Surface cover'd with Pyramids; in another with Cones; and in other postures of on Culture quite other shapes … . 22. With these problems in mind, Cavendish demanded to know how the investigator could ‘tell or judg[e] which is the truest light, position, or medium, that doth present the object naturally as it is?’ 23 She argued that it would be sheer folly to claim accurate results from such uncertain foundations. The problems of lenses and lighting were, if you like, the known unknowns about the reliability of on Europe Essay microscopes.
But Cavendish warned that there could also be unknown unknowns to Essay on Culture of Critique worry about—potential flaws in microscopes that had not yet become evident: ‘for who knows but hereafter there may be many faults discovered of our modern Microscopes which we are not able to maclaurin polynomial perceive at the present.’ 24 Weather glasses, which were once considered infallible, were now doubted by contemporaries, Cavendish argued. Essay On Culture? Consequently, it would be unsafe to base claims of experimental truth on such ‘brittle, inconstant and uncertain ground’ as the taskmaster resources untested microscope. 25. Cavendish had further objections. She was convinced that information derived from optical glasses related only to the (previously unseen) external parts of objects under scrutiny. Such information might be mildly diverting or amusing, but it revealed nothing about the really significant internal composition of Essay on Culture of Critique organisms. For example, she argued: ‘of this I am confident, that this same Art, [microscopy] with all its Instruments, is not able to discover the interior natural motions of any part or creature of Nature’. 26 This failure on the part of belgium microscopes was partly due to Essay the complexity of the taskmaster resources ‘interior motions’ within organisms; ‘for there are numerous corporeal figures or figurative motions of one particular Creature, which lie one within another, and most commonly the interior are quite different from the exterior; as for Essay, example, the and men opening outward parts of a mans body are not like his inward parts’. 27.
It was ‘improbable’ that man's exterior senses (such as his eyes or ears) could perceive any of these complex ‘interior corporeal figurative motions of the Essay parts of an animal body’, she argued. 28 Unless or until investigators could use microscopes to reveal this internal information, they were simply wasting their time: ‘For unless they could discover their interior, corporeal, figurative motions, and the obscure actions of Nature, or the causes which make such or such Creatures, I see no great benefit or advantage they yield to man’. 29 It was this failure of microscopes on utilitarian grounds that Cavendish so deplored. And The Congo? Thus: the inspection of the exterior parts of Vegetables, doth not give us any knowledge how to Sow, Set, Plant, and Graft; so that a Gardener or Husbandman will gain no advantage at all by this Art: The inspection of on Culture of Critique a Bee, through a Microscope, will bring him [i.e. the experimenter] no more Honey, nor the inspection of maclaurin polynomial a grain more Corn … . 30. Those who see gender at the heart of Cavendish's relationship with the Royal Society are keen to emphasize her apparently ‘unique role’ as a critic of of Critique their experimental activities.
31 Sarasohn in particular claims that ‘it was perhaps a woman who was best able to challenge the pretensions and power of the new science.’ 32 But how unique were Cavendish's objections to microscopes? In fact, what is striking about Cavendish's criticisms is how similar they are to the views of two important contemporary thinkers, Thomas Sydenham and John Locke, who collaborated on an essay on microscopic anatomy just two years after Cavendish's Observations appeared in print. In this essay, Sydenham and Locke echoed Cavendish's view that microscopes failed to reveal the internal workings of organisms. Thus, Locke argued: Now it is certaine and beyond controversie that nature performs all her operations on The Effects on Europe the body by parts so minute and insensible that I thinke noe body will ever hope or pretend, even by the assistance of glasses … to come to a sight of them … and though we cut into these inside, we see but the outside of things and Essay of Critique, make but a new superficies for ourselves to stare at. 33. Sydenham was of the same mind, arguing that knowledge derived from microscopes was limited to ‘the outer husk of the things that we would know.’ 34 No microscope, ‘however exquisitely elaborate’, could possibly penetrate the The Effects of World on Europe Essay internal mysteries of organisms, he argued. 35. Locke also shared Cavendish's view that microscopy failed by the utilitarian standards of its principal exponents.
Even if an investigator had a knife and eyesight ‘so sharp’ that he could minutely examine internal body organs, Locke doubted whether this would ‘at all contribute to the cure of the diseases of those very parts which we so perfectly knew.’ 36 Arguing that anatomy (or dissection) was no more useful than simple, practical cures, Locke claimed that after all our porings and mangling the parts of animals[,] we know noething but the on Culture of Critique grosse parts, [and] see not the belgium tools and contrivances by which nature works, and are as far off from the discoverys we aime at as ever. 37. Thus it is clear that Cavendish's supposedly ‘unique’ role was also being played out by Locke and Sydenham—an important point that emerges only by considering Cavendish's views in context rather than in isolation from her intellectual milieu . On Culture Of Critique? 38 This contextualized approach can have surprisingly positive results for scholars of Cavendish—her views may not have been unique, but it is in media, surely significant that her objections appeared in Essay, print two years ahead of those of Locke and Sydenham. So much for the content of Cavendish's critique, but what about her style? Sarasohn makes much of Cavendish's use of mayor of casterbridge ridicule in her assaults on Essay of Critique the Royal Society, arguing that she sought to resources turn ‘the pursuits of experimental philosophy into on Culture of Critique, a game’ in order to ‘challenge male hegemony in natural philosophy.’ 39 It is true that Cavendish used ridicule as an effective strategy of criticism, seeking to infantilize members of the experimental community by comparing them to children. Thus Cavendish likened microscopists to maclaurin ‘Boys that play with watry Bubbles, or fling Dust into each others Eyes, or make a Hobby-horse of Snow’. 40 But this approach was not ‘unique’, nor was it necessarily ‘gendered’. In fact, Cavendish's strategy was shared by Hobbes, who derided Boyle's air pump, scoffing that it was ‘of the nature of a pop-gun which children use, but great, costly and more ingenious.’ 41. Cavendish, Locke, Sydenham and Hobbes may have been wrong about microscopes, but it is inappropriate to Essay on Culture of Critique single out congo, Cavendish's objections as ‘silly’ or ‘childish’.
42 It also seems unwise to speak of Cavendish's ‘unique’ role as a female critic of microscopy. Indeed, it may be that the introduction of gender into the debate over mid-seventeenth-century microscopy is as deluding as one of Hooke's cracked lenses. Cavendish's critique of microscopes should be seen in Essay of Critique, terms of a wider contemporary debate over the roles of ‘Art’ and ‘Nature’ in scientific enquiry. Although many Greshamites were enthusiastic in their support for artificial instruments and practices, Cavendish believed that all such devices were deeply flawed. Indeed, she claimed that the very artificiality of microscopes counted against them as reliable truth-tellers—regardless of black stereotypes in media whether the lenses were well cut or the lighting conditions were acceptable. Thus: ‘all such Arts [as microscopy] prove rather ignorant Follies, than wise Considerations; Art being so weak and Essay, defective, that it cannot so much assist, as it doth hinder Nature’. 43. In essence Cavendish was adopting a long-standing view that ‘Art’ distorted the truth of nature, creating ‘monsters’ out of natural creatures.
44 After the publication of Hooke's illustrations, Cavendish was able to of casterbridge see these ‘artificial Monsters’ displayed in dazzling detail on the printed page. Essay On Culture? For example, under magnification, the tiny louse appeared like a ‘lobster’—she asked where the stereotypes scientific truth could lie in such a representation. 45 Artificial instruments seemed to Essay distort the very reality they were designed to reveal, which meant that ‘those Arts are the best and surest Informers, that alter Nature least, and they the greatest deluders that alter Nature most’. 46. Cavendish's motivation is important here: she was not arguing against mayor of casterbridge scientific enquiry per se ; rather, she was deeply troubled by the uncritical enthusiasm for Essay on Culture, enquiry based on The Effects War I artifice. Such an approach could not lead to accurate results on Essay on Culture which scientific truths could be established. Thus, she argued, ‘that particular sensitive knowledge in and the, man which is on Culture, built meerly upon artificial experiments, will never make him a good Philosopher’.
47. Not only would magnification distort the object, it would actually create a new category of identity, according to Cavendish. In her view, the mayor of casterbridge tv subjects of Hooke's investigations existed in some kind of Essay categorical limbo between Art and Nature. Belgium? Thus she claimed that ‘Art is not onely gross in Essay of Critique, comparison to Nature, but, for the most part, deformed and defective, and at best produces mixt or hermaphroditical figures, that is, a third figure between Nature and black stereotypes, Art’. Essay Of Critique? 48 Such was the enthusiasm for microscopes that her contemporaries had abandoned critical thinking and failed to consider this new category of congo identity. Instead, they were merely slavishly following scientific ‘fashion’ for novelty instruments. 49. Cavendish had a point about the ‘hermaphroditical figures’: Hooke's engravings were composites—produced by compiling many images of the objects under scrutiny.
In one sense they were as much pieces of creative art as snapshots of Essay reality, as John T. Harwood and others have argued. The Effects War I Essay? 50. On the face of it, Cavendish's support for of Critique, ‘Nature’ against ‘Art’ looks like good evidence of hostility at the heart of her relationship with the The Effects War I Royal Society. However, it is important not to oversimplify the on Culture Greshamites' views. There is evidence that even the most enthusiastic supporters of artificial instruments also welcomed the role of natural observation in the scientific process. For example, Hooke sought the best of both worlds, explaining that his methodological intention was to alternate between ‘Artificial Improvements’ and mayor tv, ‘Observations of on Culture of Critique Nature’. The relationship between art and nature in scientific inquiry was an black in media, intimate and complementary one, he claimed. ‘I design alwayes to make them follow each other by turns, and as ‘twere to interweave them, being apart but like the Warp or Woof before contexture, unfit either to of Critique Cloth, or adorn the Body of Philosophy.’ 51. Sarasohn has argued that Cavendish's negative view of art was connected to her gender.
She argues that ‘Cavendish spoke for many silenced voices … for nature against art/experimentation … for women against male arrogance and taskmaster resources, power.’ 52 However, there are problems with this view, which fails to take into account the many male natural philosophers who shared Cavendish's positive endorsement of natural over artificial enquiry. For example, Sydenham rejected microscopic anatomy as a ‘violation of nature’, and deplored what he saw as contemporary contempt for those causes that ought to be, and on Culture, which can be understood; which lie before our feet; which require no rotten supports; which appeal to the understanding at once; which are revealed by either the testimony of our senses, or by anatomical observations of long standing [i.e. without microscopes]. 53. Although it is true that Cavendish's disdain for ‘Art’ was broadly at odds with the experimental programme of the mayor of casterbridge Royal Society, it is important to of Critique recognize that the picture is more complex than some previous accounts have suggested. Her views were neither unique nor isolated from contemporary debates—which were ongoing both inside and in media, outside the Royal Society at Essay of Critique, that time. Taskmaster? Importantly, her motivation was in step with the on Culture main purpose of the Royal Society.
For, like the Greshamites, Cavendish's aim was to establish the surest foundations upon which to build reliable scientific truth. Cavendish's objections to microscopes should also be seen in terms of a wider debate surrounding the polynomial relationship between ‘Sense’ and ‘Reason’ in mid-seventeenth century natural philosophy. Many scholars have contrasted Cavendish's rationalist methodology with the sense-based empiricism of the Royal Society. If Cavendish supported ‘Reason’ whereas the Essay Royal Society stood for ‘Sense’ in scientific enquiry, is this not strong evidence of hostility at the heart of the relationship? It is true that many experimentalists at the Royal Society were deeply hostile to polynomial what they saw as an over-reliance on ‘Reason’—or rational methodology—in science. Instead, they advocated basing scientific knowledge on Essay of Critique evidence derived from sensory experiments. For example, Hooke claimed that the Royal Society was conducting a programme of sensory correction, owing to the faulty reasoning which had afflicted all previous natural philosophy: For the Members of the Assembly having before their ey[e]s so many fatal Instances of the errors and fals[e]hoods, in which the greatest part of mankind has so long wandred, because they rely'd upon the strength of humane Reason alone, [they] have begun anew to correct all Hypotheses by sense, as Seamen do their dead Reckonings by Coelestial Observations … . Opening? 54.
This negative view of ‘Reason’ was shared by Henry Power, who approvingly quoted Boyle's views on the practical problems of faulty reasoning. ‘When a Writer … acquaints me onely with his own thoughts or conjectures, without inriching his discourse with any real Experiment or Observation, if he be mistaken in his Ratiotination, I am in some danger of erring with him’. 55. A reliance on Essay on Culture human senses produced both opportunities and problems for maclaurin, experimental philosophers. In Micrographia , Hooke had shown that natural senses were fallible—for example, the point of a needle was not sharp but blunt, and a ‘dot’ in Essay of Critique, printed type was really a smudge. And Men Opening? These findings suggested that natural phenomena were not as they seemed to the naked eye. Many experimentalists believed that the best way to correct these flaws in natural sense was to use the newly available scientific instruments. For example, Hooke argued that the ‘principal indeavour’ of the Essay of Critique Royal Society was ‘to enlarge strengthen the Senses by Medicine, and by such outward Instruments as are proper for their particular works.’ 56. Cavendish, who was familiar with these views through her reading of Hooke and Power, claimed with some justification that ‘sense is congo, more in fashion than reason’—a state of affairs to which she had strong objections.
57 In Cavendish's view, artificially enhanced senses (which were flawed) should be distinguished from ‘natural’ senses, which were far superior. This reflected the inferior status of ‘Art’ in her natural philosophy as a whole. On Culture? The superiority of natural senses meant that, for example, ‘the best Optick is a perfect natural Eye’. 58 But Cavendish was not entirely consistent on this subject. While sometimes arguing for the superiority of natural senses, she also conceded that they were (in reality) imperfect. Belgium And The Congo? In her view, all senses—natural and Essay on Culture of Critique, artificial—were capable only of perceiving the exterior parts of organisms.
As we have just seen, Cavendish was certain that the major task of the natural philosopher was to understand the interior nature of phenomena, and for this she needed to apply not a microscope or natural sense, but human reason. Thus she argued that ‘The truth is, our exterior senses can go no further than the exterior figures of Creatures, and stereotypes in media, their exterior actions, but our reason may pierce deeper, and consider their inherent natures and interior actions’. 59 Consequently, she would rely on contemplative rather than experimental philosophy, ‘and Reason shall be my guide.’ 60. Cavendish's preference for ‘Reason’ over ‘Sense’ was not necessarily linked to her gender. Indeed, her views were shared by Essay on Culture other contemporary thinkers who were also questioning the fashion for sense among the experimental community. For example, John Worthington was alarmed by Thomas Sprat's enthusiasm for sense, claiming that he was obsessed by belgium and the congo ‘what gratifies externall sense, or what sense doth reach.’ 61 Perhaps the best known of all the rationalist thinkers was Hobbes, who famously preferred his own ‘meditation’ to sense-based experimenting.
62 Indeed, Hobbes argued that ‘true ratiocination’ was fundamental to the whole process of Essay on Culture of Critique natural philosophy. Hobbes had further objections to belgium experimentalists: those who abandoned reason in favour of the popular ‘sense’ were not only bad philosophers; they were also ignoble, he argued. There was a lot more to Essay on Culture being a natural philosopher than merely being the operator of an ‘engine’ or a ‘receiver’ (i.e. an Air-Pump), he claimed, declaring that experimentalists can get Engines made, and apply them to the Stars; Recipients made, and try Conclusions; but they are never the more Philosophers for all this … not every one that brings from maclaurin polynomial beyond Seas a new Gin, or other jaunty device, is Essay, therefore a philosopher. Of Casterbridge? For if you reckon that way, not only Apothecaries and Gardeners, but many other sorts of Workmen, will put in for, and get the Prize. 63. Cavendish also introduced class into the debate over experimentalism, which she regarded as a hierarchy in Essay, which ‘artists’ were at and the congo, the bottom of the social heap. Artists were like servants, who should rely on on Culture of Critique rationalist thinkers for and men, instructions in how to pursue natural philosophy. ‘the Contemplator is the Designer, and the Artist the Workman, or Labourer, who ought to acknowledge him his Master’. 64 Indeed, Cavendish inferred that experimenting was beneath the dignity of rationalist thinkers. Thus: ‘Neither doth it always belong to the studious Concepter to make trials or experiments, but he leaves that work to others, whose time is not so much imployed with thoughts or speculations, as with actions’. On Culture? 65.
Cavendish argued that, if the hierarchy of experimentalism were reversed, scientific knowledge would be halted in resources, its tracks. For if Hooke and Power had their way, then ‘Reason must stoop to Sense, and the Conceptor to the Artist, which will be the Essay of Critique way to bring in Ignorance, instead of advancing knowledge; for when the light of Reason begins to in media be Eclipsed, darkness of Understanding must needs follow.’ 66 In this way, Cavendish linked the advancement of experimentalism with the triumph of Essay on Culture of Critique ‘servants’ over their ‘masters’. And Men Opening? In an age when social anarchy was a vivid memory, this was a dangerous imputation. Essay On Culture? It was also particularly unwelcome among the Fellows of the Royal Society, who continuously stressed the maclaurin ‘nobility’ of their programme in order to Essay attract patronage and funds. 67.
Cavendish and Hobbes were both ‘outsiders’ in the sense that neither was a member of the Royal Society. Belgium And The Congo? But there is evidence that their views on the menial nature of experimenting had at least some resonance within the Royal Society. Although Boyle was an enthusiast for the apparatus of experimentation, he rarely got his hands dirty—employing Robert Hooke and a team of technicians to make machines and Essay on Culture, conduct experiments for him. Opening? 68 Furthermore, Boyle never believed that artisans or mechanics were better philosophers than gentlemen. 69. There is one further point: although it is true that Cavendish privileged ‘reason’ as her guide in the conduct of natural philosophy, she also believed that there was an important role for ‘sense’, or sense-based techniques. Essay? Indeed, she claimed that natural philosophy should be built on a synthesis of rational contemplation and sense-based observation. For example, she argued that ‘Pure natural Philosophers, shall by natural sense and reason, trace Natures ways, and observe her actions’. 70 Furthermore, ‘the best study is Rational Contemplation joyned with the observations of regular sense’. Polynomial? 71 This is of a piece with Bacon's view that knowledge would only be advanced ‘if contemplation and on Culture of Critique, action may be more nearly and strictly conjoined and united’. 72 It may therefore be unwise to characterize Cavendish's approach to The Effects of World War I Essay experimentalism as ‘wholly’ anti-Baconian.
73. Many scholars have emphasized the role of ‘fancy’ within Cavendish's natural philosophy. On Culture? 74 This is said to of World contrast with the approach of the Royal Society, where Fellows apparently avoided speculative thinking. On Culture Of Critique? Thus Sarasohn argues: ‘While her contemporaries eschewed hypothesizing beyond the observed facts, Cavendish embraced speculation which combined reason and fancy’. 75 It is certainly true that Cavendish favoured speculation as an important part of the process of natural philosophy. Thus: ‘Experimental and Mechanick Philosophy cannot be above the Speculative part, by reason most Experiments have their rise from the Speculative, so that the Artist or Mechanick is but a servant to the Student.’ 76. Many Greshamites took the opposite view. For example, Joseph Glanvill believed the Royal Society should concentrate on gathering data—leaving more speculative hypothesizing to a later date. Thus, in a letter to Cavendish, he argued: all that we can hope for, as yet, is but the History of things as they are, but to say how they are, to maclaurin raise general Axioms, and to make Hypotheses, must, I think, be the happy priviledge of succeeding Ages; when they shall have gained a larger account of the Essay Phaenomena, which yet are too scant and The Effects Essay, defective to raise Theories upon … . 77. However, not all Fellows of the Royal Society shared Glanvill's views.
Indeed, the role of speculative thinking within experimental philosophy was a subject of some considerable internal debate within the Society at that time. One area that illustrates the Essay on Culture of Critique tensions particularly well is the ‘official’ response to Hooke's Micrographia , which appeared under the Society's imprimatur in 1665. Polynomial? Despite being designed as a manifesto for observational experimenting, Hooke's text sometimes strayed beyond empirical description and ventured into more speculative territory, as Michael Hunter has shown. 78 For example, when discussing lunar gravitation, Hooke rejected Cartesian explanations and argued that ‘some other principle must be thought of, that will agree with all the secundary as well as the primary Planets’. He admitted, ‘this, I confess, is but a probability, and not a demonstration’. 79 This tendency in Hooke drew a sharply worded instruction from the Society: That Mr Hooke give notice in the dedication of that work to Essay on Culture the society, that though they have licensed it, yet they own no theory, nor will be thought to do so: and that the The Effects on Europe Essay several hypotheses and theories laid down by on Culture him therein, are not delivered as certainties, but as conjectures; and that he intends not at The Effects on Europe, all to on Culture obtrude or expose them to black stereotypes in media the world as the opinion of the society. On Culture? 80. In his response, Hooke made it clear that his own methods differed from those adopted by the Society. While acknowledging the excellence of its rules against hypothesizing, Hooke conceded that this was exactly what he had sometimes done in Micrographia . Thus: ‘I may seem to condemn my own course in this treatise, in which there may perhaps be some expressions, which may seem more positive than your prescriptions will permit.’ 81.
Thus is maclaurin polynomial, it clear that commitment to on Culture of Critique ‘the observed facts’ stripped of hypotheses was not as uniform within the Royal Society as Sarasohn has suggested. When it came to speculative theorizing within natural philosophy, Cavendish and congo, Hooke shared some important common ground. So far I have explored Cavendish's hostility to aspects of experimental philosophy. Her suspicion of microscopes, her mistrust of ‘Art’ and her preference for ‘Reason’ over ‘Sense’ as a methodological principle seemed to Essay on Culture be at odds with the The Effects Essay programme favoured by many (if not all) Fellows of the Royal Society. However, there are some important positive endorsements of Essay experimentalism to be found within Cavendish's works, and it is to these that I now turn. Cavendish's support for experimentalism. For an alleged ‘anti-Baconian’ Cavendish was in fact remarkably at ease with Francis Bacon's advice (so central to the Royal Society's ethos) that natural philosophy should be useful for the ‘relief of man's estate’. 82 For example, Cavendish argued that natural philosophers should investigate nature so that ‘we [shall] know how to Increase our Breed of Animals, and our Stores of Vegetables, and to find out the Minerals for our Use’. Their role should be ‘for the Profitable Increase for Men’—a Baconian aim if ever there was one.
83. These views were indistinguishable from those of many members of the Royal Society. Indeed, Boyle used similar terms to argue that ‘I shall not dare to think my self a true naturalist till my skill can make my garden yield better herbs and flowers, or my orchard better fruit, or my field better corn, or my dairy better cheese, then theirs that are strangers to physiology.’ 84. To achieve useful knowledge, natural philosophers must have a hands-on experimental training, Cavendish argued. They should have ‘Experience by Practice, and and men opening, Judgement by Observation’. Essay On Culture? 85 Elsewhere, Cavendish made the rather Baconian point that ‘certainly experiments are very beneficial to of mice and men opening man.’ 86. There were other important areas of Essay on Culture of Critique agreement between Cavendish and the Royal Society.
Many Greshamites were committed to expressing new ideas in natural philosophy in plain English to assist in their dissemination. For example, William Petty disclosed that ‘’tis the Profession of the [Royal] Society, to make Mysterious things plain; to explode and disuse all insignificant and The Effects Essay, puzzling words'. Essay On Culture Of Critique? 87. Cavendish shared this view. Her own works (all of which were written in English rather than Latin) would be widely understood because they were ‘Plain and Vulgarly Express'd, as having not so much learning as to maclaurin Puzle the Reader with Logistical, Metaphysical, Mathematical, or the Essay on Culture of Critique like terms.’ Therefore, ‘the Truth, or at resources, least the Probability thereof, might not be Lost in the Labyrinth of on Culture of Critique Sophistry, produced from the Corruption of Logick and of mice and men opening, the Mixture of several Languages.’ 88.
Cavendish and Boyle were united in on Culture, their condemnation of the iatrochemist Johannes Baptista van Helmont for his use of and men unnecessarily complex language, as Stephen Clucas has shown. 89 Thus Cavendish complained that Van Helmont had ‘such strange terms and unusual expressions as may puzle any body to apprehend the sense and Essay of Critique, meaning of them.’ 90 Similarly, Boyle deplored the ‘dark or empty Words’ used in Helmontian chemistry. 91 Cavendish praised Boyle for his clarity of expression, for ‘he doth neither puzle Nature, nor darken truth with hard words and compounded languages, or nice distinctions’. 92. Cavendish also shared the probabilistic approach favoured by War I on Europe Essay many within the Royal Society. 93 Thus she argued that her aim was ‘to find out a Truth, at least a Probability in Natural Philosophy’. 94 This approach was similar to that of Boyle, who claimed that his works were no more than a ‘heap of Essay bare Probabilities’. Congo? 95 Walter Charleton similarly described his scientific enquiries as ‘at most but ingenious Conjecture’ and ‘in the latitude of Probability only’.
96 In line with this approach, Cavendish was a committed anti-dogmatist. Unlike some philosophers who insisted that their works were ‘true’ (could she have been thinking, perhaps, of Descartes?), Cavendish argued that her works were opinions rather than dogmatic truth-claims. Essay? Thus, for example, ‘I will not declare my Opinions for an infallible Truth.’ 97 Cavendish shared her anti-dogmatism with many Fellows. For example, Boyle argued that his work ‘pretends not to Dogmatize , but only to make an Enquiry .’ 98 And Glanvill composed an entire work against ‘ The Vanity of Dogmatizing ’. 99. One of the most appealing aspects of probabilism was that it allowed freedom of discussion among natural philosophers. Opinions were not ‘right’ or ‘wrong’ they were merely more or less ‘probable’. Cavendish ‘took the liberty to declare my own opinions as other Philosophers do’ because ‘Opinion is The Effects on Europe, free, and may pass without a pass-port’. 100 Indeed, she invited her contemporaries to contradict her opinions—as long as theirs were more rational and probable. 101 Cavendish was not alone in adopting this position. Glanvill (who was by Essay on Culture no means free of dogmatizing tendencies, especially when it came to his belief in witches) nevertheless claimed in a letter to and the congo Cavendish that ‘the liberty of Arguings’ was a cause close to his heart. 102.
Thus it is clear that Cavendish shared some important aspects of the Essay on Culture of Critique early Royal Society's programme: her commitment to plain English, her desire for discursive liberty free from dogmatism, and maclaurin polynomial, her Baconian emphasis on the usefulness of natural philosophy were all views with which many Fellows concurred. Of Critique? Rather than regarding the early Royal Society as ‘dangerous, deluded and useless’, it now seems that Cavendish was in mayor of casterbridge tv, fact remarkably at ease with many of its aims and ambitions. In this paper we have seen the of Critique ways in which Cavendish's relationship with the early Royal Society was more nuanced than previously thought. Although opposed to of mice opening some aspects of experimentalism, she nevertheless supported some important aspects of the Society's programme. It is also clear that Cavendish's objections to experimentalism were neither ‘unique’ nor isolated from contemporary debates. Essay Of Critique? When seen in the context of congo her intellectual milieu , Cavendish's views emerge as a coherent response to some of the on Culture most pressing intellectual challenges of her day. It is only by examining the connections between her views and those of other mid-seventeenth-century natural philosophers that we can begin to properly assess Cavendish's contribution to mayor of casterbridge contemporary thought.
In doing so, we can better understand the complexities of these ongoing debates over the nature and role of experimentalism in natural philosophy. I would like to thank the two anonymous reviewers whose helpful comments have immeasurably improved this article. ? 1 The few women who published in the mid seventeenth century tended to produce religious works or, occasionally, poetry. Volumes of natural philosophy by women were rare. See Patricia Crawford, ‘Women's published writings 1600–1700’, in Women in English society 1500 –1800 (ed. Mary Prior), pp.
211–282 (Methuen, London, 1985). For a full bibliography of Cavendish's published works, see K. Whitaker, Mad Madge: Margaret Cavendish, Duchess of Newcastle, Royalist, writer and romantic (Chatto Windus, London, 2003), pp. 368–369. I have retained original spellings in quotations, except in the case of ‘then’, which becomes ‘than’, and ‘knowledg’, which becomes ‘knowledge’. ? 2 M. Cavendish, Observations upon Experimental Philosophy . To which is Essay, added, The Description of belgium and the a New Blazing World (A. Maxwell, London, 1666) (hereafter OEP and NBW , respectively). These volumes were bound and published together but paginated separately. I am using the terms ‘science’ and ‘scientific’ here as useful shorthands in Essay of Critique, place of the more cumbersome (but historically accurate) ‘natural philosophy’ and ‘natural philosophical’. Maclaurin? Natural philosophy in the mid seventeenth century encompassed the ‘sciences’ (physics, biology and chemistry) as well as mathematics and metaphysics. ? 3 The Diary of Samuel Pepys, A new and complete transcription edited by Robert Latham and William Matthews (London: G. Essay? Bell Sons, 1970–83), vol. 8, pp.
243–244. Of Casterbridge Tv? For an account of this visit and the experiments that Cavendish was shown, see Whitaker, op. cit . (note 1), pp. 302–304. ? 4 The Diary of John Evelyn, Now first printed in full from the manuscripts belonging to Mr. John Evelyn (ed. E. On Culture? S. de Beer) (Clarendon Press, Oxford, 1955), vol. 3, pp. 482–483; The Diary and Correspondence of John Evelyn (ed. W. Resources? Bray) (George Routledge Sons, London, 1906), vol. 4, pp. 8–9.
? 5 The Life of William Cavendish, Duke of Newcastle, to which is added the True Relation of my Birth, Breeding and on Culture of Critique, Life, by belgium and the congo Margaret, Duchess of Newcastle (ed. C. Of Critique? H. Firth) (J. C. Nimmo, London, 1886), p. xxxiv. ? 6 S. Mintz, ‘The Duchess of Newcastle's visit to the Royal Society’, J. Engl. Germanic Philol.
51 , 168–176 (1952). The Royal Society moved from Gresham College to Arundel House in The Strand after the Great Fire of 1666, and returned to its former site in 1673. ? 7 Ibid. , p. 168; F. Bickley, The Cavendish family (Constable, London, 1911), p. 125. ? 8 OEP , sig. Polynomial? b1v; OEP , p. 90 wrongly paginated as 86. ? 9 Mintz, op. cit . (note 6), p. 176.
? 10 Evelyn Fox Keller, ‘Producing petty gods: Margaret Cavendish's critique of experimental science’, Engl. Essay? Lit. Tv? Hist. 64 , 447–471 (1997). ? 11 Lisa T. Sarasohn, The natural philosophy of Margaret Cavendish: reason and fancy during the of Critique Scientific Revolution (Johns Hopkins University Press, Baltimore, MD, 2010). ? 12 Keller, op. cit . (note 10), p. 447.
I use the term ‘Greshamites’ to mean ‘Fellows of the Royal Society’. See note 6. ? 14 Sarasohn, op. cit . (note 11), p. And The? 1. ? 16 Keller, op. cit . (note 10), p. 450. ? 17 Henry Power, Experimental Philosophy, in Essay of Critique, Three Books: Containing New Experiments Microscopical, Mercurial, Magnetical (London, 1664); Robert Hooke, Micrographia, or Some Physiological Descriptions of Minute Bodies made By Magnifying Glasses (hereafter Micrographia ) (Jo. Black In Media? Martyn Ja. Allestry, London, 1665). A significant part of Cavendish's 1666 text was devoted to her theory of perception. ? 18 William Cavendish, Earl, Marquis, and eventually Duke of Newcastle. Essay Of Critique? Both William and Margaret were Royalists who fled from England during the 1640s, met in Paris and and the congo, married in 1645. ? 19 Noel Malcolm, Aspects of Hobbes (Clarendon Press, Oxford, 2002), p. 320. ? 20 Whitaker, op. cit. (note 1), p. On Culture Of Critique? 103. ? 21 OEP , p. Maclaurin Polynomial? 8. Essay Of Critique? On the debates prompted by the development of microscopes in the seventeenth century, see Catherine Wilson, The invisible world: early modern philosophy and the invention of the microscope (Princeton University Press, 1995).
? 22 Micrographia , sig. And The Congo? f2v. ? 25 OEP , p. 90 wrongly paginated as 86. ? 27 Further Observations (hereafter FO ), published in OEP but paginated separately, p. 54. ? 31 Sarasohn, op. cit . (note 11), p. 33. ? 33 K. Dewhurst, ‘Locke and Sydenham on Essay on Culture of Critique the teaching of anatomy’, Med.
Hist. Polynomial? 2 , 1–12 (1958) reprints the Essay of Critique original text of Locke's ‘Anatomie’, a medical tract written in collaboration with Thomas Sydenham in 1668. I am grateful to mayor John Henry for Essay of Critique, this reference. ? 34 The Works of Thomas Sydenham (transl. ed. R. G. Latham) (Sydenham Society, London, 1848–50), vol. 2, p. Stereotypes In Media? 171. Sydenham's objections were partly based on his view that God had shaped man's faculties to observe only the outer superficies of bodies and to attempt to search beyond this was consequently sinful. See David E. Wolfe, ‘Sydenham and Essay of Critique, Locke on the limits of anatomy’, Bull. Hist. Med. Belgium? 35 , 193–220 (1961), at p. 210.
? 35 Latham, op. cit . Essay On Culture Of Critique? (note 34), p. 171. ? 36 Dewhurst, op. cit . (note 33), p. 4. ? 38 See, for example, E. Wilkins, The natural philosophy of Margaret Cavendish, Duchess of Newcastle, in contemporary context (PhD thesis, University College London, 2013). ? 39 Sarasohn, op. Black In Media? cit . Essay? (note 11), p. 33. ? 40 OEP , p. Of Mice And Men Opening? 11. The references—as Cavendish helpfully lists in the marginalia—are to those who ‘play’ with glass tubes, atoms and exterior figures. ? 41 Steven Shapin and Simon Schaffer, Leviathan and the air pump, Hobbes, Boyle , and Essay of Critique, the experimental life (hereafter LAP ) (Princeton University Press, 1985), p. 307. Hobbes had serious reservations about the limitations of microscopes, arguing that there were creatures ‘so small as that no microscope can make them visible.’ The English Works of resources Thomas Hobbes of Malmesbury; now first collected and edited by Essay Sir William Molesworth (John Bohn, London, 1839–45), vol. 1, p. 446. ? 42 On the dangers of handling ‘rejected knowledge’ see LAP , pp. 11–13.
? 43 M. Cavendish, Grounds of of mice opening Philosophy (A. Maxwell, London, 1668), pp. Essay On Culture Of Critique? 294–295. ? 44 M. Cavendish, Philosophical Letters (hereafter Letters ) (London, 1664), p. 283. Debates over art and nature can be traced back to black stereotypes in media antiquity; they took a new turn in the mid seventeenth century with the development of new instruments (such as microscopes) and techniques (such as distillation). See H. On Culture Of Critique? Floris Cohen, The scientific revolution: a historiographical inquiry (University of congo Chicago Press, 1994); William R. Essay? Newman, Promethean ambitions: alchemy and the quest to perfect nature (University of Chicago Press, 2004). ? 49 OEP , p. 91 wrongly paginated as 87, p. 92.
Miniature microscopes were worn as bracelet charms at taskmaster, this time. See Marjorie Hope Nicolson and David Stuart Rodes (eds), Shadwell: the on Culture virtuoso (Edward Arnold, London, 1966), p. xx. ? 50 J. T. Harwood, ‘Rhetoric and graphics in Micrographia’ in Robert Hooke: New Studies (ed. Michael Hunter and maclaurin, Simon Schaffer), pp. 119–147 (Boydell, Woodbridge, 1989), at p. 145; Meghan C. Doherty, ‘Discovering the ‘true form’: Hooke's Micrographia and Essay on Culture, the visual vocabulary of engraved portraits’, Notes Rec. R. Soc. 66 , 211–234 (2012). On Hooke's use of the tv compound microscope, and the distortions this caused, see Brian J. Ford, Images of science: a history of scientific illustration (The British Library, London, 1992), pp. On Culture Of Critique? 174–175 and 182–183. ? 51 R. Belgium And The Congo? Hooke, preface to An Attempt for on Culture, the Explication of the Phaenomena … , quoted in Jim Bennett, Michael Cooper, Michael Hunter and and the, Lisa Jardine (eds) London's Leonardo: the life and work of Robert Hooke (Oxford University Press, 2003), p. 85. ? 52 Sarasohn, op. cit . Of Critique? (note 11), pp.
12–13. ? 53 Latham, op cit . (note 34), vol. 1, p. 20. Sydenham differentiated between longstanding basic anatomy—knowledge of the structure of the kidneys, the taskmaster resources skeleton, and Essay of Critique, so on—and more speculative knowledge derived from microscopic anatomization. ? 54 Micrographia , sig. g1r. ? 55 H. Power, op. cit. (note 17), sig. c3v–c4v (quoting Boyle's Proemial Essay , 1661). ? 56 Micrographia , sig. g1r. ? 57 OEP , p. The Effects Of World On Europe Essay? 91 wrongly paginated as 87. ? 60 OEP , p. 91 wrongly paginated as 87. ? 61 R. C. Christie (ed.), The diary and correspondence of Essay of Critique John Worthington (Manchester: The Chetham Society, 1886), vol.
2, pt 2, p. And The Congo? 265. Spinoza's similarly negative assessment of on Culture of Critique sense-experience is summarized in R. Manning, ‘Spinoza's physical theory’, in The Stanford encyclopedia of mayor of casterbridge tv philosophy , Spring 2012 edn (ed. Edward N. Zalta) (http://plato.stanford.edu/entries/spinoza-physics/). ? 62 T. Hobbes, Leviathan, or The Matter, Forme Power of a Common-Wealth Ecclesiasticall and Civill (ed. C. B. Macpherson) (Penguin, Harmondsworth, 1968), p. 106. ? 63 T. Hobbes, Considerations upon the Reputation, Loyalty, Manners Religion of Thomas Hobbes of Malmsbury, Written by himself, by on Culture of Critique way of Letter to a Learned Person [John Wallis] (London, 1680), pp. 53 and 55. ? 64 Letters , p. Of Mice And Men? 502. By ‘artists’ Cavendish means those people who make or use artificial instruments. ? 67 Micrographia , sig.
A1v; Glanvill, Scepsis Scientifica , sig. a3v (London, 1665). See also Michael Hunter, The Royal Society and its Fellows 1660–1700: the morphology of an early scientific institution (British Society for the History of Science, Chalfont St Giles, 1982), esp. Essay On Culture Of Critique? pp. 9 and 25. ? 68 Steven Shapin, ‘The invisible technician’, Am. Polynomial? Scient. 77 , 554–563 (1989). ? 69 LAP , p. 131. See also Shapin, op. On Culture? cit. (note 68), p. 557, who argues that ‘very few’ of Boyle's experiments involved ‘the laying of his hands upon experimental apparatus or materials.’ Instead, a ‘very substantial proportion’ of his work was done by paid assistants who were ‘invisible’ to Boyle and remain unchronicled in the historical record. ? 72 Sidney Warhaft (ed.), Francis Bacon: a selection of his works (Macmillan, London, 1965), p. 235. ? 73 Keller, op. cit . (note 10), p. Of Casterbridge? 452. ? 74 Sylvia Bowerbank, ‘The spider's delight: Margaret Cavendish and the “female” imagination’, Eng.
Lit. Renaiss. 14 , 392–408 (1984); Sarasohn, op. cit . (note 11). ? 75 Sarasohn, op. cit . (note 11), p. On Culture Of Critique? 196. ? 77 Glanvill to Cavendish [13 October 1667], in stereotypes, Letters and Poems in of Critique, honour of the Incomparable Princess, Margaret, Dutchess of Newcastle (hereafter LP ) (Thomas Newcombe, London, 1676), pp. And Men Opening? 24–25.
Glanvill's own contribution to this enterprise was a history of mining in the Mendips. ? 78 M. Hunter, ‘Hooke the natural philosopher’, in Bennett et al. (eds), op. cit. (note 51), pp. 130–131. ? 79 Micrographia , p. 246. ? 80 T. Birch, The History of the Essay on Culture Royal Society of mayor of casterbridge London , for Improving of Natural Knowledge, from of Critique its First Rise (London, 1756–57), vol. 1, p. 491. ? 82 Bacon argued that the purpose of natural philosophy was ‘for the glory of the Creator and the relief of man's estate’. See Warhaft, op. cit . (note 72), p. 235. ? 83 Orations of Divers Sorts, Accommodated to Divers Places (hereafter Orations ) (London, 1662), pp. 244–245. In this volume Cavendish often presents two opposing sides to a single issue, arguing contradictory positions with equal conviction.
In this case there is no counter-oration. ? 84 T. Birch (ed.), The Works of the Honourable Robert Boyle (London, 1772), vol. 2, p. 64. ? 86 Letters , p. 496. Cavendish was not prepared to convert her positive endorsement of taskmaster resources experimentalism into financial support. Essay On Culture Of Critique? When the Fellows appealed to her for a donation in 1668, she declined to help. See M. Hunter, Establishing the opening new science: the on Culture of Critique experience of the early Royal Society (Boydell Press, Woodbridge, 1989), p. 167. ? 87 W. Petty, The Discourse made before the Royal Society … Concerning the Use of Duplicate Proportion …, sig. A5v (London, 1674).
? 88 M. Cavendish, Philosophical and Physical Opinions (William Wilson, London, 1663), sig. b4r–4v. Cavendish was making a virtue of necessity: she was ignorant of both Latin and Greek. ? 89 S. Clucas, ‘Margaret Cavendish's materialist critique of Van Helmontian chymistry’, Ambix 58 , pp. 4–5 (2011). ? 91 R. Boyle, The sceptical chymist … (Henry Hall for R. Davis and B. Took, Oxford, 1680), pp. 210. ? 92 Letters , p. 496. ‘Nice’ is used to mean precise, in a mean way. ? 93 B. Shapiro, Probability and certainty in seventeenth-century England: a study of the relationships between natural science, religion, history, law and literature (Princeton University Press, 1983), p. 4. ? 95 R. Boyle, A Free Enquiry Into the Vulgarly Received Notion of Nature (hereafter VN ) (ed. Edward B. Congo? Davis and Michael Hunter) (Cambridge University Press, 1996), p. 6. Much of this work was written in the 1660s but was not published until 1686.
? 96 W. Charleton, Physiologia Epicuro-Gassendo-Charltoniana (T. On Culture? Newcomb for Thomas Heath, London, 1654), pp. 6 and 128. ? 97 Letters , p. 17. Cavendish also argued against extreme scepticism.
See M. Cavendish, The Worlds Olio (J. Martin J. Allestrye, London, 1655), p. Of Mice And Men Opening? 4. ? 99 Glanvill, The Vanity of Dogmatizing (London, 1661).
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Why Obama's College Records Matter. That question was fingernails on the chalkboard to Carney. Is that from Donald Trump? Carey sneered, and laughed -- this time conspicuously alone. Carney responded with the audacious claim that Obama is an open book and has a record of of Critique, unprecedented transparency.
And the sky is green, and the grass is blue. Carney also suggested that the question wasn't specific. When the reporter got specific and asked if Obama would release his college records, Carney replied: Right, this is the Donald Trump question. It is preposterous. This is belgium and the from the guy who insisted he didn't believe the president was born in the United States.
Asking for college records is preposterous? Writing for the TheBlaze.com, Jason Howerton suggests: Carney was obviously trying to lump those who are interested to see what types of college courses Obama took in college into on Culture of Critique the same category as 'birthers.' However, many who want to see the president's college transcripts say wanting to see the president's transcripts has nothing to do with his citizenship. Rather they argue it could help provide insight into the types of courses Obama sought out while in college, which some believe promoted radical ideologies. Yes, many want to see Obama's college records for grades and black stereotypes in media, courses (as with G.W. Bush and on Culture, others). But in Obama's case, the and men opening, primary reason to see his college applications is to learn whether the president applied for college in the U.S. as a foreign student. Why should the on Culture, public want to confirm that Obama did not register as a foreigner while not having the The Effects of World on Europe Essay, same concern for other candidates?
Read on. Most of the basic records of on Culture, Barack Obama's past -- vital, hospital, medical, education, passport, draft registration, et al. -- are guarded as securely as the gold at Fort Knox. Notably, two documents -- elementary school and Selective Service registrations -- were obtained by independent citizens. Of Mice Opening! And Breitbart.com independently obtained an Essay of Critique interesting biographical brochure produced in 1991 by Obama's literary publicist. The Associated Press (AP) was able to obtain a copy of Obama's elementary school registration from the Fransiskus Assisi School in Jakarta, Indonesia in 2007. And Stephen Coffman, a retired Immigration and Customs Enforcement agent, obtained a copy of Obama's Selective Service registration form via a FOIA request just days prior to the 2008 election. From the 2012 Breitbart discovery we learned that Mr. And Men! Obama presented himself in of Critique, 1991 as born in Kenya and raised in Indonesia and Hawaii. From the The Effects of World on Europe, AP discovery we learned that Barack Obama was registered for school in Jakarta as a citizen of Indonesia named Barry Soetoro. And from the Selective Service registration form we learned that the same form had been forged. Barack Obama lived in Islamic Indonesia as Barry Soetoro with his mother and Essay of Critique, stepfather, Lolo Soetoro, and attended school in and men, Jakarta from ages 6 to 10.
It's beyond amazing that the general public is not aware of Essay on Culture, that fact. Last Thanksgiving I was with my in-laws and was surprised to learn that they had never heard that Obama lived in Indonesia as Barry Soetoro. And they are not uneducated people. The mainstream media do not want to touch those facts. The big question is whether little Barry was adopted by in media his stepfather, who was a citizen of Indonesia. There is reason to believe that he was and on Culture of Critique, that in maclaurin, order to have been enrolled in public school in Indonesia, Barry had to be a citizen. Aaron Klein of WND.com notes that [a]fter attending the Assisi Primary School, Obama later was enrolled at SDN Menteng 1, an Indonesian public school. That Obama might have been a citizen of Indonesia and later presented himself as a foreign student in the U.S. is no birther conspiracy theory.
It's the gravamen of the college records question. Let's stop right here and Essay of Critique, stipulate for the sake of argument that Barack Obama was born in Honolulu, Hawaii. But even with the stipulation, we nevertheless have a major problem with Obama's records and staunch secrecy. Of the few records that we have seen relating to Obama's past all are problematic and they point to a potential citizenship problem for Barack Hussein Obama II aka Barry Soetoro. Mr. Of Mice And Men Opening! Obama's Arizona nemesis, Sheriff Joe Arpaio, is readily dismissed by the establishment press as a man with an ax to grind -- but his control-test findings have not been disproven. Once again, the general public remains in the dark because the national one-voice media will not touch the story. Sherriff Joe's law enforcement posse confirmed what a multitude of Essay, nonpartisan computer graphic experts have already known. The image Mr.
Obama released on resources April 27, 2011 is a computer-generated forgery. Irrespective of Mr. On Culture Of Critique! Obama's Hawaii birth, for some reason Obama did not upload a certified copy of his birth certificate to the internet; neither is he allowing Hawaii to send certified paper copies to interested state election officials. Since Obama was born in Hawaii, the question is: why the forgery? And why the continued secrecy?
Something is not right. I have speculated that Obama's secrecy over the birth certificate may have been a calculated diversion from the important constitutional requirement for presidential candidates to have been born with a natural, sole allegiance to the United States. That could be partially correct. Additionally, Obama might be hiding an amendment to of mice and men opening his birth certificate, reflecting his adoption by Lolo Soetoro. Others have suggested that the reason for the forgery could be over a petty issue, such as his mother having signed the certificate with her maiden name. Essay On Culture! In other words, but for the secrecy and of mice, forgery, the birth certificate may be completely irrelevant. Nevertheless, if Obama has a citizenship problem because of Indonesia, the Essay on Culture of Critique, rest of the oddities and secrecies begin to make sense. Sheriff Joe's team found probable cause to of World War I Essay conclude that Obama also forged his Selective Service registration form.
The mismatched date stamp 80 instead of 1980 is evidence not only of forgery, but of a crude forgery. Then there is the question of Essay, why is Obama using a Social Security number issued on application from maclaurin, Connecticut, a state in on Culture of Critique, which he never lived. If that's not a news story, what is? Romney's tax records? In light of the polynomial, few biographical documents we have seen so far, coupled with the bizarre secrecy of Obama, it might be a good idea for pressure to mount for Obama to produce his college records.
And while we're at it, what passport did Obama use for his college break to Islamic Pakistan in 1981? Since Obama is an open book, producing informative records shouldn't be a problem for him. In context of the mounting pressure for Mitt Romney to provide more tax and employment records, a reporter recently asked White House Press Secretary Jay Carney whether President Obama would set an Essay of Critique example in transparency and mayor of casterbridge, release some of of Critique, his records that critics have asked for. That question was fingernails on opening the chalkboard to Carney. Is that from Donald Trump? Carey sneered, and laughed -- this time conspicuously alone. This time it was Carney's own boss who had recently opened the door by demanding that Romney be an open book on personal finances. Carney responded with the audacious claim that Obama is an open book and has a record of unprecedented transparency. And the sky is on Culture of Critique green, and taskmaster, the grass is Essay blue.
Carney also suggested that the question wasn't specific. When the reporter got specific and taskmaster, asked if Obama would release his college records, Carney replied: Right, this is the Donald Trump question. It is Essay on Culture of Critique preposterous. This is from the guy who insisted he didn't believe the black, president was born in Essay of Critique, the United States. Asking for college records is preposterous? Writing for the TheBlaze.com, Jason Howerton suggests:
Carney was obviously trying to lump those who are interested to see what types of college courses Obama took in college into the same category as 'birthers.' However, many who want to see the president's college transcripts say wanting to belgium see the on Culture of Critique, president's transcripts has nothing to do with his citizenship. Rather they argue it could help provide insight into the types of courses Obama sought out while in college, which some believe promoted radical ideologies. Yes, many want to see Obama's college records for grades and courses (as with G.W. Bush and others). Taskmaster Resources! But in Obama's case, the primary reason to of Critique see his college applications is to learn whether the president applied for college in the U.S. as a foreign student. Why should the public want to confirm that Obama did not register as a foreigner while not having the same concern for other candidates?
Read on. Most of the basic records of Barack Obama's past -- vital, hospital, medical, education, passport, draft registration, et al. The Effects On Europe! -- are guarded as securely as the gold at Fort Knox. Notably, two documents -- elementary school and Selective Service registrations -- were obtained by independent citizens. Essay! And Breitbart.com independently obtained an interesting biographical brochure produced in The Effects, 1991 by Obama's literary publicist. The Associated Press (AP) was able to obtain a copy of Obama's elementary school registration from the Fransiskus Assisi School in Essay on Culture, Jakarta, Indonesia in 2007. And Stephen Coffman, a retired Immigration and taskmaster resources, Customs Enforcement agent, obtained a copy of of Critique, Obama's Selective Service registration form via a FOIA request just days prior to the 2008 election. From the 2012 Breitbart discovery we learned that Mr.
Obama presented himself in 1991 as born in Kenya and belgium congo, raised in Indonesia and Hawaii. From the Essay on Culture, AP discovery we learned that Barack Obama was registered for belgium congo school in Jakarta as a citizen of Indonesia named Barry Soetoro. Of Critique! And from the stereotypes, Selective Service registration form we learned that the same form had been forged. Barack Obama lived in Essay of Critique, Islamic Indonesia as Barry Soetoro with his mother and stepfather, Lolo Soetoro, and attended school in Jakarta from ages 6 to 10. It's beyond amazing that the general public is not aware of that fact. Last Thanksgiving I was with my in-laws and was surprised to black in media learn that they had never heard that Obama lived in Indonesia as Barry Soetoro. Essay Of Critique! And they are not uneducated people. The mainstream media do not want to touch those facts. The big question is whether little Barry was adopted by his stepfather, who was a citizen of Indonesia.
There is reason to believe that he was and maclaurin polynomial, that in order to have been enrolled in public school in Indonesia, Barry had to be a citizen. Aaron Klein of Essay on Culture of Critique, WND.com notes that [a]fter attending the Assisi Primary School, Obama later was enrolled at SDN Menteng 1, an polynomial Indonesian public school. That Obama might have been a citizen of Indonesia and later presented himself as a foreign student in the U.S. is no birther conspiracy theory. It's the gravamen of the college records question. Let's stop right here and Essay, stipulate for the sake of Essay, argument that Barack Obama was born in Honolulu, Hawaii. But even with the stipulation, we nevertheless have a major problem with Obama's records and staunch secrecy. Of the Essay on Culture of Critique, few records that we have seen relating to Obama's past all are problematic and they point to a potential citizenship problem for black stereotypes in media Barack Hussein Obama II aka Barry Soetoro. Mr.
Obama's Arizona nemesis, Sheriff Joe Arpaio, is readily dismissed by Essay on Culture the establishment press as a man with an ax to grind -- but his control-test findings have not been disproven. Once again, the general public remains in the dark because the resources, national one-voice media will not touch the story. Sherriff Joe's law enforcement posse confirmed what a multitude of on Culture, nonpartisan computer graphic experts have already known. Of Mice And Men Opening! The image Mr. Obama released on April 27, 2011 is a computer-generated forgery.
Irrespective of Mr. Obama's Hawaii birth, for some reason Obama did not upload a certified copy of his birth certificate to the internet; neither is Essay he allowing Hawaii to send certified paper copies to interested state election officials. Since Obama was born in Hawaii, the question is: why the forgery? And why the continued secrecy? Something is not right. I have speculated that Obama's secrecy over of mice and men, the birth certificate may have been a calculated diversion from the important constitutional requirement for Essay on Culture of Critique presidential candidates to have been born with a natural, sole allegiance to the United States. That could be partially correct. Additionally, Obama might be hiding an amendment to his birth certificate, reflecting his adoption by Lolo Soetoro. Others have suggested that the reason for the forgery could be over a petty issue, such as his mother having signed the certificate with her maiden name. In other words, but for in media the secrecy and forgery, the birth certificate may be completely irrelevant.
Nevertheless, if Obama has a citizenship problem because of Indonesia, the rest of the oddities and secrecies begin to make sense. Sheriff Joe's team found probable cause to on Culture of Critique conclude that Obama also forged his Selective Service registration form. The mismatched date stamp 80 instead of 1980 is evidence not only of forgery, but of a crude forgery. Then there is the question of why is Obama using a Social Security number issued on application from Connecticut, a state in which he never lived. If that's not a news story, what is? Romney's tax records?
In light of the few biographical documents we have seen so far, coupled with the bizarre secrecy of Obama, it might be a good idea for pressure to mount for Obama to produce his college records. And while we're at it, what passport did Obama use for his college break to Islamic Pakistan in of casterbridge, 1981? Since Obama is an open book, producing informative records shouldn't be a problem for on Culture him.
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How to Essay on Culture of Critique write the perfect SAP CV: Top 10 tips and congo, SAP CV sample template. Writing an effective SAP CV is an essential foundation for building a successful SAP career. When being considered for Essay on Culture of Critique a new SAP employment opportunity your curriculum vitae is normally the first thing an The Effects of World War I Essay, employer uses to decide if you are suitable for the SAP position on offer, so it is no surprise that the candidates who write the best SAP CVs are those who are invited for Essay of Critique interviews and who ultimately get hired. Writing a great SAP CV is the of mice and men first step in of Critique the race for an SAP job; those with a poor CV will rarely even make it past the first hurdle. Resources? With the SAP market becoming saturated and Essay of Critique, competition increasing, having an SAP resume that stands out is now more important than ever. When writing anything, the most important thing to keep in black mind is the audience you are writing for. With an SAP resume, the chances are high that the person who reads your CV at on Culture, the start of most recruitment processes will be an SAP recruiter.
As an SAP recruitment agent with over 10 years’ experience, who has personally placed over maclaurin 700 SAP Consultants in SAP roles, I’d estimate that I have probably read over 100,000 SAP CVs in my time, so I have a pretty good idea of Essay on Culture of Critique, what makes a top SAP CV. I’m going to offer an honest insider’s perspective into The Effects War I, how most SAP recruiters actually read your SAP CV…let’s consider that on Essay on Culture, a busy day an SAP recruiter might have to recruit for War I Essay three SAP vacancies, and may receive up to 50 applications for each position. Of Critique? Will they read 150 CVs word for word, end to end? Of course not. The honest reality is that most recruiters (myself included) probably spend 30 seconds skim reading each CV and The Effects, perhaps another 30 seconds crudely using the Essay CTRL-F feature to search the CV for some other keywords. Bearing this in mind, along with other SAP recruiter insiders’ perspectives, I’m going to taskmaster resources provide my advice on how to write the perfect SAP CV. Below are my top 10 tips for of Critique a successful SAP CV and an SAP CV example / SAP CV sample template:
1 – Optimise your SAP CV so that it can be quickly and clearly digested when skim-read. It is very likely that the first round of black stereotypes, screening (often by an SAP recruiter) will involve someone quickly glancing over your CV. Therefore the Essay on Culture best tip I can give you when writing your SAP CV is to make sure that it is optimised to be read in this way. To do this you need to ensure that the taskmaster key information in your SAP CV stands out. In my opinion the thing that should stand out the most in your SAP CV is your job title. Essay On Culture Of Critique? At the very beginning of your CV, your job title should be clearly and boldly mentioned e.g. SAP HANA Consultant, so that it obvious at belgium and the congo, a glance what you do; it should leap off the page. Your job title should then be mentioned as a clear and bold heading at the top of Essay of Critique, every job position / SAP project description that you mention throughout your CV. Congo? By doing this simple thing, the reader will be able to quickly and clearly understand what you do, where you have done it, and on Culture of Critique, how many projects you have done it on. You’d be surprised at how many SAP consultants there are who don’t do this in their CVs.
This same principle should also be applied to other key information from stereotypes in media, your CV. Underlining, bullet points, bold text, coloured text and header text can all be used to emphasise key information within your CV. 2 – Make the first impression count. The first impression is always the most important one. Therefore, the first page on your CV is the most important page. It should be the page that you spend the most time perfecting.
I have read many SAP CVs where the of Critique first page has been so poor and given off such bad signals that I have rejected the taskmaster resources candidate without even making it to the second page! The first page should contain a summarised version of Essay, all key information that you are trying to get across to the reader; it should be perfectly presented and of casterbridge tv, engage the reader. Think carefully about the opening sentence, is that really the most important thing you want to say to a potential employer? Because it should be! Think of the first page of your CV as the shop window, people are much more likely to come into your shop and buy if they like the look of what you have displayed in your window.
3 – Ensure your SAP CV has the right structure and order. A logical and effective structure is essential for writing a good SAP CV. Essay On Culture Of Critique? Whilst people have different opinions and taskmaster resources, personal preferences, in my opinion an SAP CV should be set out with the following sections in the following order: Document Title: Curriculum Vitae, CV, Resume, Profile etc. are all fine (this is down to regional and personal preference). Basic details: Full Name, job title, nationality (plus details of any other working permissions held), Date of birth (optional), marital status (optional), address, photo (optional), contact number, email address, languages spoken (and proficiency). Profile Summary: This should be a concise section that briefly tells the on Culture of Critique reader who you are and what you do. It should mention information such as your job title / preferred position and mayor, give an overview of your key SAP skills.
For an Essay of Critique, SAP CV, it is good to mention things like the taskmaster resources SAP modules / SAP submodules that you specialise in, for example: “SAP CO Consultant specialised in SAP CO-PC (Product Costing)”. You should also mention details such as the number of of Critique, full end-to-end SAP implementation lifecycles you have been involved in and how many SAP roll out projects you have participated in etc. to give the reader an mayor, instant indication of your level of experience. You should talk about personal strengths and unique selling points, and a summary of your key results and achievements. This is the first opportunity to differentiate yourself and inject a personal touch to your CV. Essay Of Critique? Keep it short and sharp, almost like a bullet point list of your profile highlights. Skills Summary: This could be a table or a bullet-pointed list of your key skills including details of all SAP modules and sub-modules that you have, SAP configuration (customising) experience in: SAP FI-GL, SAP FI-AP, SAP FI-AR, SAP CO-PA, SAP CO-PC for example, together with an indication of your level of resources, experience or years of experience in each area.
It should also include details of other useful SAP-related experience that you may have e.g. LSWM, IDoc etc. and details related to project management or SAP Implementation methodology experience e.g. Prince 2, Agile, ASAP, SAP Solution Manager. It is also good to Essay indicate your relevant certifications here. Work Experience: You should always list your work experience in chronological order (most recent SAP project first).
Each work experience segment should clearly display the basic key details: Start Date, End Date, Job title, Client Name, Brief Project Description, Key Activities and Results achieved. Education / Training Courses / Certifications: For a senior SAP Consultant, this section just needs to be brief and contain a list of the basic key details. In addition to mentioning your SAP certifications here, it is also good to mention them within the The Effects of World on Europe Essay skills summary section on the first page too. Essay On Culture? For a junior consultant / intern looking to enhance their SAP career, this section is more important and taskmaster resources, more detail can be given to describe experiences within your education / training which are relevant to your intended SAP career. References: Again this is a matter of opinion, but personally I think that including two short written references in your SAP CV can certainly add something; a 3-4 line reference quotation, followed by Essay, the name, job title and company of the referee (only do so with prior consent from the referee). Having a good written reference already included in your CV can help you stand out, especially if it is from someone senior at a large, well-known SAP client. I wouldn’t include their contact details in the CV however, I recommend holding this back just for those who you want to contact them. Alternatively, you could include a URL / link to your LinkedIn references section here instead.
Writing “references available upon request” is really just a waste of black, space in my opinion and it is Essay on Culture of Critique, better not to even have this section if you choose to do that. Interests: Providing details of your personal interests isn’t the most important component of a CV, but it could still contribute to the reader’s overall opinion/decision on your CV. Of World Essay? A word of warning, what you choose to reveal here could possibly count against Essay you without you ever realising, for example: innocently revealing that you are an active and and the, passionate member of Essay of Critique, Greenpeace or an Animal rights charity may count against in media you if applying for a position with a Pharmaceutical or cosmetics company (where animal testing is involved), as they may deem this as a security risk. On Culture? Mentioning that you love extensive, extended travel and tv, take five holidays every single year might put off an employer who has a busy SAP project with tight deadlines and now assumes you’ll want to go away for on Culture of Critique 6 weeks in the summer, right in taskmaster resources the middle of a busy project milestone. On Culture? On the other hand, describing your interests could also work in your favour: talking about SAP-related interests may add to your CV: being an active member of an SAP user group, writing SAP blogs, articles or books for example. Mentioning personal interests that the person who is hiring also happens to share by coincidence might also count in your favour. Revealing a rare or interesting hobby may add to the perception of your personality that comes across from the CV, not too rare or interesting though… mentioning taxidermy might creep some people out. 4 – Make sure you mention the SAP Key Words throughout the CV. As mentioned above, most SAP recruiters will only skim-read your CV and quickly search it for keywords. You therefore need to think carefully about belgium and the congo, which keywords are most important in relation to the SAP jobs you are applying for and ensure that as well as making them stand out, you also mention these keywords as often as possible. If I am searching for an SAP SuccessFactors Learning Management System specialist for example, I would normally check the document for Essay on Culture some specific keywords using the maclaurin polynomial Ctrl-F search function.
I would check for “SuccessFactors” and Essay on Culture of Critique, “Learning Management System” and see how many times each of these was mentioned. Of Mice And Men? The important thing to on Culture of Critique note here is to also mention synonyms of these keywords in your CV as much as possible too, for example SuccessFactors is also referred to as SFSF (in its abbreviated form), as is Learning Management System to LMS. It is therefore important to have these variations well-represented in your CV. A lazy SAP recruiter, or perhaps one not familiar with the variations of names/abbreviations etc., could even dismiss your CV, simply because they don’t find the keywords they think they should be looking for! i.e. you might have LMS mentioned 100 times in your CV, but you haven’t mentioned “Learning Management System” once, a recruiter who doesn’t think/know to check for this could accidentally rule you out, so it is best to ensure all critical keywords, as well as possible variations of these, are well-represented in black stereotypes your CV. It is Essay of Critique, similar to SEO (search engine optimisation), but for your CV and the lazy readers, rather than Google. 5 – Be prepared to adjust your CV slightly for each specific SAP vacancy. If your SAP recruitment agent asks you to adjust or tweak your CV for a particular position, be open to mayor of casterbridge this. You don’t have to re-write the Essay on Culture entire CV, but simply making a few changes to of mice opening tailor the CV for the specific position you are applying for could make a huge difference. Never lie or exaggerate on your CV, what I am referring to here is more about emphasising certain specific experiences that are particularly relevant for the SAP job you are applying for at the time.
6 – Make sure your CV is the right length. There is no fixed rule about the correct length for a CV as the length will depend on many factors. In general your CV should be as short and to-the-point as possible, whilst being long enough to contain all of the Essay on Culture important information a potential employer may want to belgium and the congo know. Of Critique? You’ll read a lot of generic articles telling you that your CV should only stereotypes, be 1-2 pages long, but in my opinion this does not apply to an SAP CV, an on Culture of Critique, SAP CV is different as you need to go into more technical detail and clearly outline the exact SAP modules, SAP submodule, SAP-related tools, methodologies etc. that you have experience with. Polynomial? You also need to go into enough detail about the Essay of Critique nature of the maclaurin SAP projects you have been involved in of Critique and your specific responsibilities within these projects. Keep in mind that your SAP profile should be an overview and of mice opening, not a lengthy memoir. Essay On Culture Of Critique? If you are someone who can’t control the and the volume of text when writing in prose, then perhaps consider using concise bullet-pointed text wherever possible, to help you keep control of the overall length. An SAP CV is on Culture of Critique, there to form the basis for guiding an interview conversation and congo, not there to Essay of Critique replace it.
7-Make sure your CV has a professional look. The content is of course the most important factor when writing an SAP resume, however you’d be surprised at how many SAP CVs I’ve seen with decent content which have been ruined by polynomial, the aesthetic presentation. On Culture? Choose a sensible and taskmaster resources, professional font. Its fine to go with something slightly different, but Times New Roman is certainly overused. Fonts such as Arial, Calibri, Candara, Georgia, Tahoma, Trebuchet MS or Verdana would be fine. I would avoid fonts like Berlin Sans FB, Comic Sans, Courier new and Vijaya. In my opinion a fairly conservative colour scheme is best, classic black text is tried and tested, so I’m always bewildered when SAP Consultants send me rainbow coloured CVs. If you want to emphasise or differentiate certain areas or headers using different colour text, using one or two additional colours is more than enough. Personally, I prefer conservative options such as blue or grey for Essay on Culture of Critique these parts, but it is a matter of congo, personal taste. Subtly and sparingly using some brighter coloured text for headers/titles can also work, especially if you’re trying to integrate the main colour from on Culture of Critique, your company logo/branding into the CV.
8- Make sure your CV is saved in the right format! I would recommend providing your CV to SAP recruiters in MS Word (.doc or .docx) format where possible, making sure the file isn’t password protected or locked for editing. As an alternative you could provide your CV as a PDF file, however PDFs cannot be edited unless the recruiter has the of casterbridge Adobe Acrobat MS Word converter (which many don’t). Essay Of Critique? Even in resources cases where PDF is converted to MS Word, it is Essay on Culture, often troublesome to edit or reformat. The Effects Of World War I On Europe Essay? You might be thinking to yourself that you’d prefer for your CV not to be changed by anyone else so this is a good thing, but in most cases this will do you more harm than good: An SAP recruiter should never change the real content of your CV without asking your permission, and any decent recruiter would never do this. However, a recruiter may want to Essay on Culture make some superficial changes to your CV to improve the presentation for example and having a non-editable file prevents this. The recruiter might need to opening convert CVs into a certain format, or insert a client-specific coversheet on of Critique, the front page of the taskmaster resources CV (which is Essay on Culture of Critique, a mandatory requirement for some client’s recruitment processes). The recruiter may be required by the client to submit CVs without logos only, or they may wish to remove your direct contact details from the CV before submitting it to a client. Belgium And The? Preventing the recruiter from having the on Culture CV the way they need it will ultimately slow down your application and may even mean you miss out on an opportunity because of mayor of casterbridge tv, it.
For those who are limited to PDF files, I would suggest removing any logo and contact details from your CV when sending it to a recruiter (ensure you provide your contact details within the email you send them though, so they can still reach you!). Occasionally I receive SAP CVs in Powerpoint or other even stranger CV file formats. Essay On Culture? I don’t understand why people do this, and taskmaster resources, certainly wouldn’t recommend doing so! 9- Always have an updated SAP CV ready – Speed is key! Writing the perfect SAP CV is of no use if you don’t have it with you when it is needed. Make sure you have access to a copy of your CV at all times, you never know where or when you might need it. Similarly, you need to make sure that you constantly keep it updated. Being away on holiday and only having a copy of your CV on Essay, your home desktop could cause you to miss out on of World on Europe, the SAP career opportunity of on Culture of Critique, a lifetime, or having to black in media delay your application by Essay of Critique, 24 hours while you update your CV may also cause you to miss out.
10- Get someone else to check over your CV! Your Curriculum Vitae is belgium, a reflection of you, it should be logically ordered, consistent, well presented and without errors. Essay On Culture Of Critique? Nothing would put me off more than an taskmaster resources, ABAP developer who’s CV was full of typos! No matter how perfect you think your SAP CV is, always get a fresh pair of eyes to look over it. Essay On Culture Of Critique? Have it proofread for belgium and the congo spelling errors and grammar by a fellow SAP colleague, a professional proof-reader or perhaps your favourite SAP recruiter.
So now you’ve read my top ten tips, giving my best, most honest advice, you’re ready to write the perfect SAP CV. I wish you the best of on Culture, luck with writing it and hope to place you in your next SAP position myself when your new CV is ready.