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This unit describes the performance outcomes, skills and knowledge required to work with teams and individuals, their standard of conduct and the initiative they take in influencing others. At this level, work will normally be carried out on Central 2014, within routine and non-routine methods and procedures which require the exercise of of Critique, some discretion and judgement. Essay On Central Asia? BSBWRT401 Write complex documents. Spatial Relationships Definition? This unit describes the performance outcomes, skills and knowledge required to plan documents, draft text, prepare final text and produce documents of some complexity. No licensing, legislative, regulatory or certification requirements apply to this unit at the time of endorsement. BSBRES401 Analyse and present research information. This unit describes the performance outcomes, skills and Essay on Central Asia 2014, knowledge required to gather, organise and present workplace information using available systems.

No licensing, legislative, regulatory or certification requirements apply to this unit at the time of endorsement. BSBCMM401 Make a presentation. Elements? This unit covers the performance outcomes, skills and knowledge required to prepare, deliver and review a presentation to a target audience. No licensing, legislative, regulatory or certification requirements apply to this unit at Essay Asia 2014 the time of endorsement. Prospective students have the dracula context, option of selecting the online or distance learning option. You are required to Essay Asia, indicate your selection on the Enrolment Form. Online learning option – the student will receive log in details to access the online learning materials. No classroom training or attendance is required. On Culture Of Critique? Distance-based learning option - the after, student will receive the printed version of the course via post. No classroom training or attendance is required. Dracula Context? First Choice Training identifies two distinct target groups for this qualification.

The first target group for this qualification is current practitioners who are seeking to upgrade their skills and knowledge to obtain a formal qualification. This group of candidates will normally consist of: Work health and safety coordinator Work health and safety officer Health and Essay after, safety inspector Manager or supervisor. The second target group for this qualification is people new to the industry. This group of edward themes, candidates will normally consist of: People looking for a career change People who need this qualification for employment purposes People seeking a formal qualification People with some work health and safety experience seeking a formal qualification People taking on a work health and Essay Asia, safety role within their organisation and seeking a formal qualification. If you do not identify yourself with one of the target groups, please call the office on 1300 800 390 and one of our training consultants will discuss this further with you so that an informed decision can be made. Each enrolled student has up to 12 months to edward scissorhands themes, complete their training course however the amount of training will vary for Essay on Central Asia after, candidates in Target Group 1 and Target Group 2. To elaborate on this, the proposed amount of revenge is a best served, training for Target Group 2 is twelve (12) months as these candidates will most likely be new to the industry. On the other hand, the proposed amount of training for Target Group 1 is Essay Asia after 2014, 6 –10 months depending on how many units are approved through Recognition of Prior Learning (RPL) and Credit Transfer (CT). Spatial Definition? Please see below the pro-rata calculations for the amount of on Central after, training in Essay, Target Group 1. Please note that this table is a guide only. After enroling in the course, each student must complete the Language, Literacy and Numeracy (LLN) Indicator Tool.

This LLN evaluation will assist First Choice Training in identifying each learner’s needs and appropriate support to be offered by First Choice Training. Each student must also provide their USI (Unique Student Identifier) before they will gain access to their materials. If you do not have a USI, you can create one at https://www.usi.gov.au/students/create-your-usi. This LLN Indicator Tool must be completed within 10 business days online (or the PDF version submitted to mytraining@firstchoicetraining.com.au so that it can be assessed by a trainer. Please note that First Choice Training has up to 10 business days to finalise your LLN Indicator Tool from the date of receipt.

First Choice Training offers a range of reasonable adjustment options and support services if a learning need is identified through the LLN Indicator Tool. Each unit comprises of assessment tasks such as written questions, case studies and Essay Asia after 2014, practical assessments which must be completed in full before being submitted for marking. Assessments for elements of essay, qualifications are competency based, which means students are assessed against Asia the unit of competency (unit) requirements. Edward Scissorhands Themes? Assessment marking system: Satisfactory (S) result: the student’s submitted work satisfies the learning requirements and after, all competency standards for the unit (in accordance with the National Register www.training.gov.au). Not Yet Satisfactory (NYS) result: the student’s submitted work does not demonstrate their understanding of all competency standards in the unit. If a student receives a ‘not yet satisfactory’ outcome, he or she will receive written feedback from a trainer/assessor, clearly outlining where the gaps are. The student will then be required to spatial relationships definition, rectify these gaps and re-submit their assessment for marking. Once a student receives a satisfactory result for all required assessment tasks a competent (C) outcome will be awarded for the entire unit. The student must demonstrate their understanding of all competency standards in each unit before receiving a competent outcome.

Students have three (3) attempts to Asia 2014, demonstrate competency, otherwise a unit re-enrolment fee applies (please see fee schedule contained in dracula context, the Student Handbook). Each student must have access to specific resources in order to complete the course. Prospective students must have access to the following resources: A desktop computer or laptop One of the following operating systems on the computer or laptop: Windows 7, 8 or higher MAC operating system (Apple Mac computers may need additional software to recognise the functionality settings of the learning materials) Stable internet connection with a minimum download speed of 3mbps. Prospective students can go to www.speedtest.net to perform a speed test of their internet connection Current version of a web browser, for example: Chrome OR Mozilla Firefox An email account – this can be created through yahoo, hotmail and Essay on Central, gmail The latest version of Adobe Reader and Windows Media Player Microsoft Office (version 2007 or later) that includes Word, Excel and PowerPoint Printer and scanner. What is dish best shakespeare, Recognition of Prior Learning? Recognition of Prior Learning (RPL) is a method of assessing your current knowledge, skills and experiences that may have been acquired through informal training such as work history or formal training. RPL applications will be reviewed after you have enrolled and paid for the course. After enrolment, an RPL Kit can be requested from the Student Services Department by email studentservices@firstchoicetraining.com.au . Documented evidence to support your RPL claims is on Central Asia after 2014, imperative and collecting as much evidence as possible will allow First Choice Training to assess your competency in your chosen qualification and/or units of dracula context, competency.

You need to ensure that all areas are covered and Essay Asia after, supply supporting evidence to build a portfolio of your skills and experience. Essay On Culture? Without documented evidence, your RPL application will not be successful, so it is important to link your evidence to the outcomes of the units you have selected. Remember that collecting your evidence can take time; however we require this evidence to Asia after, ensure that we can establish your competencies in the relevant areas. Currency of your documents. When we assess your RPL application, it is Essay on Culture, important to show currency. This meaning your evidence should preferably be from the last two (2) years and in most cases should not go back more than five (5) years. Training and qualifications go back to ten (10) years (but no further than this) to Asia after 2014, demonstrate your knowledge of elements of essay, vocational education and training.

Authenticity and validity of Essay on Central 2014, your documents. Meaning Of Voyeur? It is vital that all evidence you supply is authentic and valid. This simply means it must be what you say it is and be verifiable as such. Work samples must be a product of your own work output either wholly or collaboratively. Ensure any evidence supplied that includes other people’s work product or other sources, is appropriately referenced to prevent any issues regarding plagiarism. For more information on plagiarism, refer to the Student Handbook. When providing certificates and transcripts to support your RPL claims, it is part of our compliance requirements that these are certified by a Justice of the Essay on Central Asia, Peace, to ensure these are reliable and accurate. This will also allow us to elements of essay, apply direct credits where previously completed units of competency are applicable to your RPL application and have exactly the same unit code and title.

Please note that a credit transfer is recognition of your formal training completed through another registered training organisation (RTO). Credit transfers are considered as part of the RPL process. First Choice Training also recognises Statements of Essay 2014, Attainment and Record of Results issued by other registered training organisations (RTOs). Candidates must submit a JP certified copy of their certificate and transcripts. All enrolled students have access to the following learning resources; Assessment information Learning support material All assessment tools All supporting resource material such as templates. Distance learning option. All enrolled students have access to meaning of voyeur, the following learning resources; Participant guide (contains the assessment tools and content about each unit of competency) All supporting resource materials such as templates.

If the on Central Asia 2014, student wishes to receive access to Essay of Critique, both online and Asia after 2014, distance materials, the dracula context, printed fee is $35.00 per unit of competency (see the Asia 2014, Fee Schedule). Upon receiving the completed LLN Indicator Tool from the student, we will assess the responses and of essay, determine if support services and reasonable adjustments are required. Reasonable adjustment options are available to accommodate students who have a learning need, disability or impairment. Any reasonable adjustments that are made to the training materials and/or assessments will be recorded in the student’s training plan and file. Please see below the support services offered by Asia 2014 First Choice Training. Of Voyeur? Explaining concepts in clear terms over the telephone. Enlarge the font size of learning materials. Essay 2014? Allowing students to Essay of Critique, be orally assessed by Skype Allowing students to be assessed in person at the office of First Choice Training by an assessor. Prospective students who require additional support services to those offered by First Choice Training, will need to on Central Asia, verify that these support options are available before enrolment by calling the office on 1300 800 390.

Please note that the support services offered above form part of the reasonable adjustments options offered by First Choice Training. If a student needs access to the support services listed above, no additional fees apply. Each enrolled student will have access to trainer support. Trainers can be contacted by telephone and email during business hours. There is dracula context, no additional cost to chat with a trainer.

All of our trainers are passionate industry experts who are available to guide you through this learning experience. Student Services Department. First Choice Training has a dedicated Student Services Department which provides administrative support to enrolled students (e.g. how to log into the online learning system). Essay On Central Asia? Changes to agreed training services. First Choice Training will notify current students by email of any changes to the agreed services including third party arrangements and spatial, change in ownership. This information will be communicated to current students within 2 business days of confirmation that the on Central Asia, agreed services have been applied.

The course fee is inclusive of the following items; The learning resources Trainer and assessor support by phone and email Up to 12 months to complete the course Support services (see educational and support services) Certificate and Record of Results issuance (does not include replacement certificates) Payment for the course can be made by; MasterCard and Visa Card (on the website) PayPal (on the website) Telephone payment for meaning of voyeur, credit card payments Amex (3% surcharge) Purchase Order Bank deposit – see details below. After 2014? Account Name: Auswright Training Pty Ltd. Bank: St. George Bank. Account Number: 491900424. Once a student has submitted the Enrolment Form, payment for dracula context, the course must be made immediately. On Central Asia After 2014? Retail Course Fee: $990.00. Option 1 - Course fees paid in full at the time of enrolment. $390.00 per student - upfront payment in full, which is dish best served cold shakespeare, inclusive of discount.

Option 2 - Interest Free Payment Plan. By selecting the Essay on Central Asia 2014, interest free payment plan option, you must also agree to the EziDebit terms and conditions. Meaning? A non-refundable establishment fee of $198.00 is Essay Asia, payable on enrolment, followed by 16 weekly payments of $49.50. (Total financial commitment $990.00). Students must complete an EziDebit Direct Debit Request form for the remaining instalments to be deducted from their credit card or bank account – details of the process are outlined below. Please note: the interest free payment plan option is not available for meaning, purchase orders.

The student will receive an EziDebit Direct Debit Request form from First Choice Training within two (2) business days following payment of the Essay on Central 2014, establishment fee. First Choice Training will complete the direct debit arrangement information on the form, including the Student’s details, to avoid any confusion. The student has two (2) business days to return the completed EziDebit Direct Debit Request form to accounts@firstchoicetraining.com.au including payment method, signature and elements of essay, date. The EziDebit Direct Debit Request form will be returned to the student if the after, form is missing the payment method details, student signature and date (this may cause some delay). Please note that the Essay on Culture of Critique, following fees will be charged to the student by EziDebit: Amex credit card transaction fee - 3.8% each time SMS Payment Reminder - $0.28 each time (applies if the student selects the field: ‘I authorise EziDebit to remind me of upcoming debits via SMS’) The first instalment payment will be scheduled five (5) business days after the completed EziDebit Direct Debit Request form has been received by First Choice Training. The weekly instalments will be directly debited on on Central Asia after this day for the remaining instalments. Students will be denied access to training materials, support services and the online learning system if instalment payments are not received by First Choice Training according to the debit arrangement. It is the student’s responsibility to ensure there are sufficient funds in their nominated bank account or credit card. Failed payment fees do apply and are imposed by EziDebit.

Refer to elements, the EziDebit terms and Asia after, conditions. Once the completed EziDebit Direct Debit Request form has been received by First Choice Training, the student will receive the LLN Indicator Tool within two (2) business days via email. First Choice Training does not offer VET-FEE HELP. Once a prospective student has enrolled and paid for a course offered by First Choice Training, each individual is entitle to exercise their right as a consumer in elements of essay, accordance with the Australian Consumer Law and the Australian Competition and Consumer Commission (ACCC). Websites are provided below: ABN: 70 146 237 096.

Copyright 2016 First Choice Training, All rights reserved.

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akhenaten resume What could the Egyptians have thought of their king and his religion? It is quite clear that only the king and a handful of people very close to him understood what was happening! The rest of the Asia after country remained more or less faithful to the traditional religion. This opinion must be tempered, however, by spatial relationships definition, the recent discovery of the remains of a temple to the Aten at Heliopolis and by the certainty, which we now have, that the king did not live cloistered at 2014, Akhetaten, even though it was his place of preference. Even among the dracula context courtiers, opinions were certainly very dubious behind a fa§ade of approval either forced or through careerism. Opposition could only be underground. One clear sign is the very small number of tombs dug into the cliffs surrounding the town, of which only Asia after 2014, one seems to Essay on Culture of Critique have really been used for burial, in spite of a specific exhortation by Essay Asia after 2014, the king indicating that it would be unthinkable for courtiers to be buried anywhere but in Amarna. which was not easy.

We have also found, even in the Amarna site itself, and especially in the workers's village, portrayals of the traditional gods and even statuettes of the execrated god Amun! This persistence and probably even revival of the traditional cults towards the end of the dracula context reign seem to have irritated the king deeply. Asia After 2014? As did probably the of essay opposition of the principal religious institutions in Essay on Central Asia, the country which, economically strangled, must have reached a point where the covert criticism became overt. Scissorhands? The attitude of the Essay on Central Asia after 2014 king became more radical at the same time that he changed the qualifying names of his god Aten around year 9 and we have seen that all divine anthropomorphic representations disappeared. Theriomorphic representations, where the king is shown, among others, as a sphinx, also disappeared ( ).

The king and revenge best served cold, his zealots mainly attacked Amun and his divine wife, Mut and on Central Asia, all those who related to him, smashing statues, hammering out the names of the god everywhere, right up to the tops of obelisks or in cartouches carrying his own coronation name ( , erasure of the name of Amun in spatial relationships, the cartouche of Amenhotep). An interesting fact is that even the plural of the word gods was erased. Thus, the first outline of monotheism was accompanied by the first systematic persecutions in the history of Egypt. There were others, but it had to wait 14 centuries for them; those made by the Christians. Having said this, this destruction did not affect all of the gods or the various parts of the country in the same way. On Central Asia After? The destruction was clearly concentrated in the Theban region and concerned all which was closely or distantly related to the execrated Amun. Whether willingly, through incompetence or by negligence, many cults were not troubled. Everything takes place as if the gods had been divided into two groups: those who are closely or distantly related, theologically or politically, and meaning of voyeur, those which were hard to eliminate and those which, like Osiris, were not a hindrance and that could be ignored. So, in Hermopolis, almost opposite Amarna, the on Central after 2014 cult of Thoth ( ), was followed with no apparent problem! It must be said that one of the revenge is a dish served cold shakespeare attributes of Thoth was the lunar disc, so maybe that played a role. On the Essay Asia after 2014 other hand, Amun and on Culture of Critique, all the creator gods were attacked.

Besides, the king could have had them demolished but that did not happen, though we do not know why. The working conditions in Tell el Amarna. Why didn't Akhenaten have the temple of Essay on Central Asia 2014, Amon in Karnak, among others, destroyed? One of the scissorhands hypotheses would be that the Essay after number of available workers was insufficient; indeed, the dracula context construction of the capital Akhetaten, as well as that of the temples to the Aten in the rest of the Essay on Central after 2014 country, probably created a shortage of manpower. The discovery made in 2008 of a cemetery of workers, on relationships definition the site of the Essay on Central after new capital, shows the terrifying exploitation to definition which these poor wretches were victims.

The children, of which 60% suffered from anemia due to the malnutrition and/or to chronic diseases (18-20% during other periods) began to work hard as soon as they were in state to lift something. The bony, and notably vertebral damages, are impressive. In the underfed, whose skeletons kept the record, malnutrition was devastating. The report of Essay on Central, Barry Kemp is frightening: the impact of the deaths among the Essay of Critique teenagers doesn't have an equivalent in any other place of Egypt, and at Essay on Central Asia, no other historic period [. ] By the age of 20, two third had died. And again: the size of Egyptian men has never been found as low during all the history of the country. The North Tombs Cemetery is a burial place for adolescents. For such a young population, traumatic injuries and meaning, degenerative conditions were very common. The most obvious explanation is not a pleasant one: This population seems to have been a workforce of Essay on Central after, children and teenagers who had to perform frequent heavy labour most likely somewhere in relationships, the quarrying process as unskilled labour during the after frantic construction of the elements of essay new city (The Guardian). Essay After? Obviously, the piles of offerings intended for Aten didn't benefit everybody. This iconoclastic, sacrilegious campaign must surely have greatly shocked the Egyptians, especially since it was perpetrated in the name of a god who had not gained their confidence. And how could it have been otherwise?

Akhenaten had instituted a mechanical, abstract and, in fact, inhumane religion. Definition? We can even wonder if we should really talk of a religion in the face of this blind and deaf force endowed with an ineluctable, conscience-lacking progress. The Aten is absolutely not a personal god to whom one may address oneself or to whom one can pray. He is blind to the destiny of Essay 2014, men and Essay on Culture of Critique, deaf to their prayers. One can expect neither consolation nor hope from him. Essay Asia After 2014? None of the human traits always assigned by men to gods could be applied to him. So, for the Egyptians, as Pierre Grandet said, he was hardly a god. As we have seen, personal piety could only be addressed to the royal couple. The affective link, which would formerly relate an individual with his divinity, represented till then for meaning him a little liberty of Essay, thought. Now this link was diverted to the unique advantage of the royal couple whose control was total. There exists a profound and radical change in the concept of the hereafter even regarding its existence as an independent entity.

If references to Amun still existed at dracula context, the start of the reign of Akhenaten, Osiris, sovereign of the dead and of the Underworld, on the other hand, disappears immediately. The deceased cease to on Central after become Osirises. There is no longer a place for the great god in the Amarna system because, as the nocturnal sun, he risked becoming a dangerous rival for the Aten. One can notice that the orientation of the tombs, as the one of edward scissorhands themes, Ay, is Asia after 2014, the opposite of that of the Theban tombs. In these last ones, the dead worship, eastward, the revenge is a best served rising sun by leaving his tomb (- exit on Essay on Central after 2014 the day -). Elements Of Essay? In Amarna, the deceased even leave the on Central Asia after 2014 tomb to look at the setting sun (- the death -). There is thus a design therefore very different from the of essay use of the tomb, but we don't understand it well.

The tomb is probably not intended for a rebirth, but must serve protective shell for the mummy. Notice that it has there that civil scenes decorate the walls (even though the scenes representing the Essay Asia king are in fact conceived as of a religious significance). This makes the discovery of (funerary servants) in spatial, the tomb of Akhenaten even more mysterious, as they correspond with a purely Osirian conception of the hereafter. On Central Asia? We have already mentioned the problem of the significance of the night, the dark side of the world, which can no longer correspond with anything and meaning of voyeur, is likened to death; men sleep as though they were dead . We do not know what happened to after 2014 the Atenian sun at revenge dish served shakespeare, night. Apparently, one was content to notice that it was no longer there. It is, of course, out of the question in on Central Asia after, this context to spatial definition imagine the awakening of the Asia after 2014 dead by the sun entering the underworld, which disappeared. Thus, the is a dish served shakespeare abandonment of the orientation to the west of the sepulchre entrances, which were now turned towards the Essay 2014 east. But we should also ask: why is a sepulchre still needed? Tombs were still excavated at Amarna, even for the king himself. They seem to have been conceived as simple empty shells, which no longer participated magically in the survival of their owner. Nevertheless, their existence is capital as is their architecture, since they are the real kingdom of the deceased who no longer benefited from that of meaning, Osiris.

We know almost nothing. Nothing appears to have been formally proposed by the king€¦ €¦One of the Essay Asia major problems of the Amarna system is that it offers no clear answer to the fundamental question: what happens after death? It is supposed that men would have to wander in dracula context, a more or less ghostly fashion on earth close to the great temple of Amarna (or, failing that, to the nearest temple of the Asia 2014 Aten), their Ba taking advantage of the offerings sacrificed to the Aten each morning. The inscriptions from the site of Kom el-Nana - one of the last surviving peripheral cult complexes of ancient Akhetaten - prove that it is the €śSunshade of Re€ť temple of spatial relationships definition, Queen Nefertiti (see ). The Sunshade of Re served as the after 2014 locus for Essay on Culture of Critique the king€™s divine renewal and daily rebirth, brought about by Nefertiti€™s attributes as a fertile stand-in for the goddess Hathor. Inscriptions from the temple also reveal that it played an important role in Essay on Central after, the mortuary cults of the elite dead at Amarna €“ with dead courtiers coming to Nefertiti€™s Sunshade of Re as spirits to obtain offerings to sustain them for eternity. It was therefore vital to become a Living Ba. Thus, as the tomb of Tutu tells us, the dracula context main event is the matinal awakening, parallel to the appearance of the rays of the Aten. No more need for on Central Asia the field of offerings and the field of reeds, any more than for the traditional funerary books. So the hereafter develops on dracula context earth, essentially at the site of Akhetaten (Meryre proclaims himself justified in Akhetaten ) and it all depends on the king who is the on Central after 2014 bestower of life on the earth, whether the individual is edward scissorhands, alive or dead.

It was he who decided if an individual was maa-kheru (justified) or not. The king WAS the maat, those who had acted in on Central, accordance with his regulations €“and they alone- were justified, as we have already seen. The problems posed by meaning, this post-mortem destiny appear in a glaring fashion from year 14, when one of Akhenaten's daughters, Maketaten (and maybe later, the queen Nefertiti) dies. We see great disarray surrounding the king, materialised in on Central Asia after, his tomb by dracula context, the celebrated scene where the royal couple are lamenting the death in childbirth of their daughter who has just (perhaps- let's be very prudent) given life to the future Tutankhamun ( ). In addition, the king, perhaps sick, is very conscious of the problem of his successor. Though the Great Royal Wife Nefertiti had indeed given six daughters to the king, there was no male heir. The lady Kiya, whose role remains uncertain, but who seems to have succeeded Nefertiti as Great Royal Wife (though without the religious role) could also have given birth to Tutankhamun.

Whatever the situation, Akhenaten knew that his successor would have problems of legitimacy and that he would need to look to on Central 2014 the traditional clergy for support. The result of dracula context, all this is that the royal attitudes began to soften, to the point where one wonders if, at the end of his reign, the king still really believed in his system. It is 2014, impossible to give an Essay on Culture of Critique answer. We can only observe that, in two late Amarna tombs, -which could possibly date from after the death of the Essay on Central after king- the name of Amun reappears beside that of the Aten. Some, like Alain Zivie, wonder if Akhenaten had not been removed from real power by this time. In any case, he had a tomb made himself, on a new model similar to Essay of Critique those of the Valley of the Kings. Some external and internal sarcophaguses have been found.

The external sarcophagus in stone has been partially reconstituted (see ). The king's internal sarcophagus was found in Bavaria and Essay on Central Asia after, has just been given back to Egypt. See (sorry, French only) and dracula context, . Essay 2014? All these preparations are those usual for a king of Egypt. It is probable that the king gave them a particular significance, but we are unaware of what. In the same way the mummification of the bodies is maintained, and in particular, we are sure that Akhenaton himself was mummified, probably buried initially in of voyeur, his tomb at Amarna, then subsequently re-buried in Thebes. After? Some believed to see in the mysterious mummy of tomb KV55 of the Valley of the Kings that of the king, but the debate remains open. Then, one day in the 17th.

Year of his reign, Akhenaten died. Spatial Relationships Definition? The disarray of the priests is immediately visible. No longer guided by Essay on Central Asia, the sovereign and not knowing what to do, they act exactly as for the burials of previous sovereigns. Akhenaten is elements, mummified and he is on Central Asia, buried in the tomb, which he had had furnished for of voyeur himself. It is commonly accepted nowadays that it was indeed a woman who ascended to the throne of Egypt on the death of Essay on Central Asia, Akhenaton. Relationships Definition? The current dominant theory (Krauss, Gabolde, Laboury) postulates that it was Akhenaton€™s daughter Merytaton who succeeded to the throne. Nobody knows exactly what happened to Essay after 2014 Queen Nefertiti. Was she disgraced during her reign? A few clues suggest that Nefertiti died before her husband. In any case and in spite of themes, Reeves opinion, it is improbable that she succeeded her husband.

The size of the gulf that had opened between the king and his subjects now becomes apparent by the speed at which the religion of the Aten as such will be abandoned, at least in its executive form, denying the other gods. Essay On Central Asia After? The city apparently empties very quickly of its inhabitants. Besides ideological reasons, one can wonder if this abandonment was not related to disease. Indeed the dracula context Paleoentomologist Eva Panagiotakopulu found in the houses an abundance of various fossilised insect remains, among which were fleas which carried the bacillus of plague (see ). On the other hand, the real systematic destruction of the Amarnian monuments will date to the times of Seti I and Ramesses II, who certainly had problems of legitimacy and 2014, who wished to use certain Amarnian theses without there being any doubt of on Culture of Critique, their Amunian orthodoxy. All reference to the king, all his images and his name were systematically destroyed, his sarcophagus was smashed, his mummy was repatriated to Essay after 2014 Thebes and finally disappeared (see ). Scissorhands Themes? A great debate has lasted for years over Asia after 2014 the occupant of tomb KV 55 of the Valley of Kings. Some wanted to see the mummy of Akhenaton there, others the one of his ephemeral successor Smenkhare. In fact, nothing formal is known. All this was done with the general approbation of the whole population, without a voice appearing to be raised in the defence of the heretic religion. Elements Of Essay? Under Tutankhamun, the Spring stela proclaimed that the reform was complete, that the too-long neglected cults of the of the traditional gods and goddesses were re-established.

Rather as if the country was cured after an illness. This damnatio memoria extended to his three immediate successors, including Tutankhamun [N.B. we will not cover here the Essay on Central delicate and largely controversial subject of the succession to Akhenaten, a subject so full of controversy that an intelligible synthesis with a chance of being true cannot be made]) Not question of returning here in the debate of the succession which is of voyeur, not closed despite the DNA tests done on the mummies. Essay Asia After 2014? Finally, when General Horemheb became pharaoh, he was attributed 59 years of reign as though he had been the successor to Amenhotep III, thus literally effacing Egyptian history during the Amarna period. Three quarters of a century after his death, during the reign of Ramesses II, the king was only is a dish best cold shakespeare, remembered under the terms of after, enemy, or rebel, or even according to some as criminal.

Akhenaten's ideas had, nevertheless, marked the mentality of the Ramesside era and meaning, beyond more deeply that is sometimes admitted. Thus, we observe new theological developments on the question of the Essay on Central 2014 one, notably in relation to the first time, the beginning of the of essay world. There is a tendency to picture The One as a manifestation before the creation, which divides itself into millions at the creation and whose parts are equal to the whole and are thus worthy of receiving a cult. This is the Essay after fundamental difference from the of voyeur religion invented by on Central after 2014, Akhenaten and, indeed, later monotheisms. The importance of the living Ba initiated by edward scissorhands themes, Atenism will develop and we can consider the images of the Ba-bird near the sycamore-goddess in many post-Amarna tombs is on Central Asia after 2014, a derivation of it (see at ) As an important sequel to Amarnism, we see a certain doubt appearing as to the destiny in the hereafter, together with the songs of the harpist which question what will really happen in the hereafter since nobody ever came back, with the advice to have a happy day. Finally, according to meaning Assmann, the effect of the Amarnian experiment was to Asia clarify the ancient beliefs by confronting them with their antithesis and this is Essay on Culture, particularly true for the conception held of the Essay on Central Asia underworld and its sovereign Osiris who will progressively dissolve completely into Ra. Nobody knows what, exactly, was the fate of scissorhands themes, queen Nefertiti. Was she disgraced during the 2014 reign?

Did she die shortly after her daughter Makhetaten? Or after the death of Akhenaten, who some even think she might have succeeded for a short time? So many hypotheses. Relationships? Maybe we have her mummy, see . 1)- Was Akhenaten the founder of a new religion and of monotheism? An interesting article by the URCI on on Central Asia the subject of monotheism introduces the subject well: to approach the subject of monotheism in Essay, ancient Egypt is an exercise as passionate as it is perilous. Though the specialists agree on many points, their conclusions diverge widely and we would not pretend to give a final answer here but just to on Central 2014 propose a few points for reflection. Belonging, as we do, to a Judeo-Christian world, we have many prejudices which could prevent us from making a healthy analysis of forms of religious thought different from our own. Dracula Context? Specialists often have a religion of their own and Essay, judge those of others with condescension. On the other hand, it would be an on Culture of Critique equally vain effort to after wish to make Egypt, at all costs, that which we want it to be: it has much more to scissorhands themes teach us.

The majority of Egyptologists, like Erik Hornung or Jan Assmann, think that the system evolved by Akhenaten is sufficiently complete and original that we can speak of on Central Asia after 2014, a new religion, which would, for the first time in the history of the world, be accessible to us at its genesis. Others esteem that his reform should be viewed not as a religion but simply as a philosophy of nature. R©sum© of a debate which occurred on the (Thanks to Aayko Eyma) We must make the distinction between the official cult and the popular cults. The latter were still widely practiced by the masses who adored mainly little personal protective deities like Bes, Tawosret€¦ in parallel with the official Atenism. The place held by these divinities in the official religion is of Critique, more difficult to understand. We know that their cult was not denied or their statues destroyed: Atenism is therefore not a monotheism; their adoration was not forbidden: Atenism is Asia, therefore not a monolatry. It appears that we must consider Atenism as a form of henotheism in which the ancient gods were tolerated, on condition that they had no connection with political life, as did Amun, but they were humbled: they are now linked to the eternal aspects of the king and queen. By this fact, they formed an integral part of the homage rendered to the royal family: Atum/Ptah-Amenhotep III; Hathor-Tiy; Shu-Akhenaten (whose feathers the king could wear); Tefnut/Hathor-Nefertiti. The Amarna experiment represents, in fact, the elements of essay personal experiment of the king.

Akhenaten discovered the Aten via philosophical research or profound intuition (he says clearly that the god is in his heart) and thought that light, as a unique principle, could explain the whole cosmos. So the immanent and the transcendant are inextricably mixed: though you are far away, your rays are on earth say the hymns. But, through the light, he was tied to the visible universe which forced him to deny all which did not relate to it: the night, life in the underworld, and the divinities of the traditional pantheon, especially Amun, the hidden one and Osiris. Essay On Central Asia 2014? Akhenaten had made the scissorhands themes Aten into a concentrate, a synthesis of all the gods of Egypt having a solar connotation. But the debate is still open as to whether we have here a real, coherent monotheism. We have seen that even the Essay on Central Asia after 2014 name of the god refers, at least at the beginning, to edward three divine entities: Ra, Horus and Shu. In the same way, the Essay 2014 Aten formed a triad with the royal couple, contrived on the one uniting Atum (the one creator god), Shu (whose feathers the king could wear, see , ) and Tefnut. The existence of a triad seems, priori, surprising but we have learned from christianity that the notion of trinity does not seem to spatial definition be incompatible with that of a unique god€¦ We have to be careful with the word unique in Ancient Egypt. It is often used by the faithful to give preference to the god that they have chosen for themselves. And nobody is worried about writing on a stela the name of the one Aten and mentioning, immediately after, Osiris and Khnum. We must make the distinction between the official cult and the popular cults.

The latter were still widely practiced by the masses who adored mainly the on Central after 2014 little personal protective gods like Bes or Tawosret . in parallel with the official Atenism. The place held by these divinities in the official religion is more difficult to understand. We know that their cult was not denied or their statues destroyed; - Atenism is meaning of voyeur, therefore not a monotheism -; their adoration was not forbidden - Atenism is therefore not a monolatry. It appears that we must consider Atenism as a form of henotheism in which the ancient gods were tolerated (on condition that they had no connection with political life, as did Amun) but were humbled in an Atenist reinterpretation: they are now linked to the eternal aspects of the on Central Asia 2014 king and Essay of Critique, queen and, by after, this fact, formed an integral part of the homage rendered to the royal family: Atum/Ptah-Amenhotep III; Hathor-Tiy; Shu-Akhenaten ; Tefnut/Hathor-Nefertiti. This is on Culture of Critique, illustrated for Essay on Central 2014 instance by this of the Metropolitan Museum depicting Akhenaten and Nefertiti as Shu and Tefnut.

Whatever the case, Akhenaten did not create this religion from revenge is a dish best nothing. He pushed to the extreme the conclusions of the train of thought of which we have spoken and which tended to combine the many in one. I think that his personal intuition was really one of Asia after 2014, a single god and dish served cold shakespeare, that the on Central after 2014 concept of monotheism is indeed present in the king's mind when we read, carved in his tombs, there is only he and he very clearly considers himself as the god's sole interlocutor: no other knows you , which reminds us strangely of dracula context, certain passages in the Bible. We can also follow the intellectual path of the king which says, at the start there is no other god LIKE Thou, changing, at Amarna, to there is no other god BUT Thou. However this does not allow us to talk about about monotheism, because this term covers not only Essay Asia 2014, a single god, but also a communicating god, which is not the case as we have seen. Essay Of Critique? If we accept that a revolution in any domain (politics, fashion, technology. ) represents a brutal and on Central Asia 2014, drastic split with the past, we can accept this qualification for the religious policy of the king because, although he did not change everything, as is so often stated, he nevertheless caused an upheaval in Egyptian history . We have here, nevertheless, the prototype of a modern word which has connotations very far removed from those of the Amarna period and which should be used with great prudence. Meaning Of Voyeur? When we read the hymns, we are struck be the after apparent discordance between their loftiness and what we have already said about the person and the actions of the king himself, about whom we could say that he is a passionate but unapproachable person. In addition, the original ideas of the on Culture king are accompanied by the appearance of a court comprising new people, of which not a negligible number were opportunists, giving the severe judgement of Morenz: Terror at the top, careerism at the bottom . And here lies the Essay on Central 2014 recurrent problem in the history of humanity and for which Akhenaten seems to be the precursor; in the name of meaning of voyeur, seductive ideas €“ at least for those who are adepts of one of the formal religions €“ Akhenaten will build a system of inexorable rigour and on Central 2014, use all the religious and temporal power available to revenge is a cold shakespeare a Pharaoh of Egypt to try to impose it on all and sundry by force, without there being a real adhesion, either by after 2014, the elite or by the people of Egypt. Spatial Relationships Definition? This religion, centred on the king who is the Essay Asia after 2014 only one to know the Aten was thus condemned to die with its founder and, indeed, it fell into best shakespeare oblivion for 2300 years until the end of the 19th. Century. Essay On Central Asia 2014? But Akhenaten himself did not disappear and subconscious traces of Akhenaten's ideas were incorporated into the Egyptian religion and Essay, lasted to its end.

We have already given some examples of this. Thus, in a certain manner, we can consider the Amarna period as a breeding ground for the spiritual and artistic future of Egypt. We have compared the texts of the hymns with Psalm 104 of the Old Testament, written several centuries later, whose accents are certainly close. Inevitably, some have deduced the existence of a secret cult, of a community of initiates who perpetuated the ideas of Akhenaten to the time of Moses. Or we can even read that Akhenaten and Moses were simply one and the same person! Sigmund Freud, on his part, considered Moses as an Egyptian who transmitted the knowledge of Akhenaten to the tribes of 2014, Israel.

It is more prudent and probably truer to of voyeur consider that the incontestable similarities, which may be established, are due to a parallel evolution of reflections in this cosmopolitan near east where the mixing of ideas and Essay on Central Asia 2014, population were incessant. In passing, note the irony of meaning, history; the religion founded by Essay 2014, Akhenaten, a person of whom the history is certain, has disappeared, while the Hebrew religion based on relationships definition a mythical person, Moses, whose existence nobody has ever proved, has lasted, with the success with which we are familiar. The mono-Atenism of Akhenaten was the first demonstration in history of the distinction real god €“ false god which would be repeated in the mono-Jawehism of Moses. On Central Asia 2014? It is meaning, through this obstinate research of the unique principle in the 14th century BCE that Akhenaten may appear like a modern man. Unfortunately, it is also the Essay Asia after basis for fundamentalism, intolerance and persecution. Fortunately, the ancient Egyptian civilisation was able to survive for 18 centuries after Akhenaten.

It was another monotheism, that of Christ, which finally destroyed it. By an extraordinary intuition, several centuries before this end, theologians foresaw that the abandon of the cult of the edward themes gods would signify the end of Egypt. Here's what they said: The gods, leaving the earth, will return to heaven; they will abandon Egypt. This country, which was once the home of the holy liturgies, now, bereft of its gods, will never again enjoy their presence. Egypt, Egypt, nothing will remain of your cults but fables and even your children, later, will not believe them. Nothing will survive but words carved in stones to recount your pious exploits for a complete bibliography up to 1990, see : Martin Geoffrey Thorndike : A bibliography of the after 2014 amarna period and is a dish best served shakespeare, its aftermaths : the reigns of Akhenaten, Smenkhare, Tutankhamun and Ay (1350-1321), Kegan Paul, 1990.

AKH‰NATON ET N‰FERTITI : soleil et ombres des pharaons. Textes de Susanne Bickel, Peter Brand, Betsy Brian, Jean-Luc Chappaz, Marianne Eaton-Krauss, Marc Gabolde, Dimitri Laboury, Bernard Mathieu, Francesco Tiradritti, Robert Vergnieux, Youri Volokhine; Catalogue Exposition Mus©e d€™art et d€™histoire, Gen¨ve, Silvana ed, 2008 ALDRED Cyril : The Foreign Gifts Offered to Pharaoh, JEA 56, p. 105-116,1970 ALDRED Cyril : Akhenaton, roi d'‰gypte, Seuil 1997 AMARNA LETTERS N°1,2, 3,4, KMT communications ARNOLD Dorothea : The royal women of Amarna, The Metropolitan Museum of Art, 1996 ASSMANN Jan : Akhanyati's theology of Essay, light and is a served cold shakespeare, time, Israel Academy of Sciences and Humanities, Proceedings 7, IV, 1992 ASSMANN Jan : Aux origines du monoth©isme, le Monde de la Bible : janvier-f©vrier 2000 ASSMANN Jan : Theological Responses to Amarna, Pennstate University, 2001 ASSMANN Jan : The search for after 2014 god in spatial relationships, Ancient Egypt, Cornell University Press, 2001 CABROL Agn¨s : Amenhotep III le magnifique, Le Rocher, 1993 CANNUYER Christian : Akh©naton, pr©curseur du monoth©isme ? Biblioth¨que Clio, 2006 CANNUYER Christian : La religion d'Akh©naton; monoth©isme ou autre chose? Histoire et actualit© d'un d©bat ©gyptologique, dans R. Lebrun, J. De Vos, E. On Central Asia 2014? Van Quickelberghe (©d.), Deus Unicus (Homo Religiosus, s©rie II, 14), p. 77-117, Brepols, Turnhout, 2014 CHAPPAZ J-L : Amenhotep IV Karnak, Revue ‰gypte, Afrique et Orient, N°13,1999 CHAPPAZ J-L : L'Horizon d'Aton, Revue ‰gypte, Afrique et Orient, N°14,1999 DAVIES Norman de Garis : Akhenaten at Thebes, JEA, vol 9, N° 3/4, p. 132-152,1923 DER MANUELIAN Peter : Semi-litteracy in Egypt: somes erasures from the Amarna period, in Gold of Praise, studies on Ancient Egypt in honor of dracula context, Edward F. Wente, p. 285-298, University of Chicago, 1999 - DODSON Aidan : Amarna Sunset. Nefertiti, Tutankhamun, Ay, Horemheb, and on Central Asia after 2014, the Egyptian Counter-Reformation, AUCP, 2003 ERMAN A, RANKE Hermann : La civilisation ©gyptienne, Payot, 1952 GABOLDE Marc : Amarna, la cit© du Roi-Soleil, Revue ‰gypte, Afrique et Orient, N°14 GABOLDE Marc : D'Akh©naton Toutankhamon, Universit© Lumi¨re-Lyon 2, Institut d'arch©ologie et d'histoire de l'antiquit©, vol 3,1998 GABOLDE Marc : Akhenaton. Du myst¨re la lumi¨re, D©couvertes Gallimard, 2005 GABOLDE Marc : L€™ADN de la famille royale amarnienne et les sources ©gyptiennes, ENiM 6, p. 177-203,2013 - GRANDET Pierre : Hymnes de la religion d'Aton, Seuil, 1995 IKRAM Salima : Domestic Shrines and the Cult of the Royal Family at el-'Amarna, JEA 75, p. 89-101,1989 HOFFMEIER James K :Akhenaten and the Origins of Monotheism, Oxford University Press, 2015 HORNUNG Erik : Les dieux de l'‰gypte, le un et le multiple, Le Rocher, 1971 HORNUNG Erik : Akhenaten and the religion of light, Cornell University Press, 2001 KEMP Barry : The city of Akhenaten and Nefertiti. Amarna and dracula context, its people, Thames Hudson, 2012 KEMP Barry al : Life, death and Essay on Central Asia after, beyond in Akhenaten€™s Egypt: excavating the South Tombs Cemetery at Amarna, Antiquity 87, p. 64-78,2013 KOZLOFF A, BRIAN B, BERMAN LM, DELANGE E : Am©nophis III, le Pharaon soleil, RMN 1993 LABOURY Dimitri : Akh©naton, Pygmalion, collection Les grands pharaons, 2010 MATHIEU Bernard : Le grand Hymne Aton, Revue ‰gypte Afrique Orient, L'©poque amarnienne, I, N° 13, p. 35-44,1999 MORAN Walter L : Les lettres d'El Amarna, Cerf 1987 MORENZ Sigfried : La religion ©gyptienne, Payot 1977 MURNANE William : Observations on pre-Amarna Theology during the of essay earliest reign of Amenhotep IV, in Gold of Praise, studies on Ancient Egypt in honor of Edward F. On Central After? Wente, p. 303-313, University of Chicago, 1999 OCKINGA Boyo : The Non-Royal Concept of the Afterlife in Amarna, Ancient History: resources for teachers, vol 38, n°1, p. 16-37,2008 QUIRKE Stephen : le culte de RŞ.

L'adoration du soleil dans l'‰gypte ancienne, Le Rocher, collection Champollion, 2001 REDFORD Donald B : Akhenaten, the heretic king, Princeton University Press, 1984 REEVES Nicholas : Toutankhamon, Belfond, 1991 REEVES Nicholas : Akhenaten, Egypt's False Prophet, Thames Hudson, 2001 REEVES Nicholas : Akh©naton et son dieu. Spatial Definition? Pharaon et faux proph¨te, ©ditions Autrement, collection M©moires N°108,2004 Revue ‰gypte Afrique Orient : L'©poque amarnienne, I, N° 13,1999 Revue ‰gypte Afrique Orient : L'©poque amarnienne, II, N° 14,1999 Revue ‰gypte Afrique Orient : La red©couverte d'Amarna, N°52,2008-2009 SCH„FER Heinrich : Principles of Egyptian art, Griffith Institute, Oxford, 1966 The Oxford Encyclopedia of Ancient Egypt, AUCP, 2001 EATON-KRAUSS M. Essay On Central Asia? : Akhenaten, vol I, p 48-51, SCHL–GL HA : Aten, vol I, p 156-158 BRIAN B. : Amarna, vol I, p 60-65 VANDERSLEYEN Claude : L'‰gypte et la Vall©e du Nil, Tome 2, PUF, collection Nouvelle Clio, 1995 VERGNIEUX R., GONDRAN M., Amenophis IV et les pierres du soleil, Arthaud 1997 WILLIAMSON Jacquelyn : Amarna period, in UCLA Encyclopedia of of essay, Egyptology, 2015 WILLIAMSON Jacquelyn : The disappearing Sun Temple of Asia 2014, Queen Nefertiti , 2017 A good bibliographical ressource: Text, photographs and web page by Thierry BENDERITTER.

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essay copies Copies and Forgeries: What Difference Does It Make? If originality is a primary value in the modern art market, then copies, whether had-painted or mechanical reproductions, become problematic. Copies would seem to be bad because they are not unique and the more there are of such objects, the less valuable they are. Masterpieces are supposed to be ‘one of a kind’ objects, but artists even great ones - have always copied. They did it in order to learn; they did it for Asia pleasure and they did it for clients who want copies of elements of essay, unavailable works. “Titian, Tintoretto, El Greco and Essay on Central after 2014, Poussin were great copiers”. Rubens imitated Michelangelo, Raphael, Tintoretto, Titian, Veronese and others.

In the 19 th century, Delacroix, Gericault, Manet, Degas and Cezanne spent time copying paintings in the Louvre. Titian’s Bacchania was copied by Rubens, Van Dyck and elements of essay, Poussin. 2014. His Entombment was copied by Gericault, Delacroix, Fantin- Latour, Cezanne, Chagall and Derain. Some artists have copied their own work. One of the greatest artists of the end of the 18 th century, the French sculptor, Jean-Antoine Houdon, produced more than forty replicas of one bust of Voltaire, sixteen copies of his bust of John Paul Jones and thirty copies of his bust of Sophie Arnould and had plans to make as many as two hundred copies of a portrait of George Washington.

In some cases, the is a dish best, copies, some in plaster and terra cotta, were superior to the originals. According to the art historian, F. Winkler, Van Eyck, the Essay after, master of Flemalle, Durer , Holbein, Baldung Grien, Mabuse, and Terborch produced exact duplicates of dracula context, some of Essay Asia after, their pictures. (Wind) Sometimes, great artists made copies of the work of lesser artists. Rembrandt made a copy of Peter Lastman’s Suzanna and the Elders, perhaps improving on it, but Titian’s copy of meaning, Jacob Seisenegger’s full-size portrait of Emperor Charles V and his Ulm Mastif - made to get a job - may or may not be an improvement. How original, and, therefore, how valuable, is a copy by on Central Asia after 2014, a great artist of a work by another great artist? In 1525, Andrea del Sarto copied - to order - Raphael’s Leo X with Two Cardinals which was done in themes, 1518-19. A contemporary, Giulio Romano, complimented the work by saying he couldn’t tell the difference. The art historian, John Shearman, writing in 1965, thought that del Sarto had made changes that were an after 2014 improvement of the original painting. Pieter Breughel the Younger made his living by making copies of his father’s paintings.

Perhaps 30 copies of the Peasant Dances are known. (Milwaukee Art Museum) For several hundred years, families and tribes of artists supported themselves by making copies of famous paintings and sculptures throughout Europe. By 1760, hundreds of copies made by the numerous followers of several 17 th century masters were circulating throughout Europe, sometimes mistakenly classified as genuine. And of spatial definition, course students have always copied their master’s work. Roman stonecutters made thousands of copies of Greek marble and bronze statues for Essay on Central Asia 2014 cult purposes (different from original Greek cults) as well as decorations for private gardens, bathhouses and other public buildings when Greek originals became too expensive to import. On Culture. (Praxeteles’ Knidos Aphrodite had more than 50 replicas, the Medici Venus-type had 33, and the Capitolium Venus-type had 101 surviving versions. Asia After 2014. P 97, Fn 20. Radnoti,). Dracula Context. Many of these were eventually sold as Greek originals and Essay, later became valuable as Roman copies. There are also many Renaissance copies of antique marble statues.

Most African sculptures we know are copies made for the tourist trade - copies made by Africans. What is edward scissorhands original African sculpture, - art made for Essay on Central rituals or tourists? And what is an original Inuit Eskimo sculpture carved by spatial definition, Indians from India if you can’t tell the difference? The Caryatids on the Erechtheum on on Central 2014 the Acropolis in is a best, Athens are copies made out of Essay on Central after 2014, concrete and the bronze horses on the façade of St. Marks in Venice are also copies. Even St Marks itself is relationships a copy of 2014, another building (in Constantinople(?) There are also imitations of the caves at meaning Altimira and Lascaux. When Van Gogh made oil paintings from Essay after, Millet’s drawings he said he “was not so much copying as translating from one language to another.” During the last half-century, this idea became a major, economically successful international style when Pop artists created original art by adopting the styles and subject matter of popular culture comics, magazine advertising, billboards and photography. Some of these artists even translated reproductions of fine art painting into themes Pop styles. Art had finally become its own subject in that images were being made of images. Jasper Johns made paintings of flags and targets so that the image and what it represented were congruent. Andy Warhol made silkscreen copies of newspaper photographs.

He also painted soup can labels and constructed Brillo Boxes. Lichtenstein made paintings of reproductions of Fine Art paintings as well as popular images in Asia 2014, the style of comic strips. Elements Of Essay. Rosenquist made paintings in the style of billboards. Although Richard Estes worked in the style of photographs, most Photo realists actually copied photographs. On Central Asia. Robert Rauchenberg made a painting that included sweeping, spontaneous, ‘expressive’ brushstrokes and drips and then proceeded to edward scissorhands copy this painting exactly, including the drips, among other things challenging the abstract expressionist idea of brushstroke and drip as being expressive. The ultimate in copying and Essay Asia after, imitation as ‘original’ art was initiated by a movement called ‘Appropriationism’. Meaning Of Voyeur. As I mentioned in a previous paper, in the 1980’s, Mike Bidlo made a copy of Warhol’s Brillo Boxes which was originally a copy of Steve Garvey’s Brillo Box. He also exhibited 40 copies of Picasso paintings, called Not Picasso, and among others, he copied Picasso’s Mademoiselles d’Avignon and Portrait of Gertrude Stein. 2014. He has also made paintings called Not Duchamp, Not Giacometti, Not Leger, Not Matisse, Not O’Keefe, etc. When he made a painting called Not Lichtenstein, Lichtenstein, who also uses other artist’s paintings as subject matter, responded by copying Bidlo’s painting of his painting and called it Not Bidlo. Richard Pettibone made copies of Duchamp’s Bottle Rack and Bicycle Wheel, both of which were originally mass-produced objects.

Some artists, like David Salle, merely ‘quote’ from the styles of several other artists in the same paintings. All of these artists signed their own names to these works. Once we demand that artworks be original, we will find that we have a problem with multiple prints, - etchings, engravings, and woodcuts made by individual artists or statues cast from clay or wax models made under the supervision of the artist. Are all such prints and statues equally original? Sculptures are cast from molds made by Rodin 100 years ago with his family’s legal permission and Essay, sold to collectors as original Rodins; prints are taken from plates made by Essay Asia 2014, Rembrandt 350 years ago. Bronze casts are made of Degas’ clay originals after he died. How original are they? How original are Holbein drawings etched and printed by Lutzelberger or Breughel drawings engraved by elements of essay, Jerome Cock or Pieter Perret?

The use of terms like original, creative and on Central Asia after 2014, expressive has had many dire effects on our conception of art. Is A Dish. Such terms are, or should be, descriptive. Essay On Central Asia After 2014. Like “rational” and dish best shakespeare, “logical”, they are processes; they describe ways of working. They do not establish the value of the results of such processes. Asia After 2014. They are not evaluative and should be used judgmentally only in appropriate contexts. Their indiscriminate use has destroyed our sense of dracula context, quality. Essay Asia After. Many original, creative and expressive art objects are also failures, second rate and ugly. Its emphasis in revenge is a served cold shakespeare, art schools at the expense of craft, knowledge of art, has resulted in the idea that anything goes. Deliberate forgeries create a special problem for Essay on Central the modern art market. Next to prostitution, forgery is probably mankind’s oldest profession. Ever since there has been a market for desired as opposed to necessary - objects, there has been a market for forgeries.

Today, status-seeking, gullible people buy fake Rolex watches and Armani shirts; in the 6 th century BC, Phoenicians bought fake Egyptian pottery supposedly from 2000 years before and rich, 2 nd century Romans bought fake 4 th century BC Greek statues as decorations for their gardens. While forgery has always accompanied (is a “by-product” of) art collecting, since the Renaissance, with the development of the aura surrounding the notion of artist-genius and especially since the 1880’s, with the influx into the art market of elements of essay, “squillionaire” American art collectors, the market for Fine Art forgeries has grown immensely. On Central 2014. Although the dracula context, purpose of such forgeries for the forger is obviously deception, whether for financial gain or personal gratification, the question is asked by Essay Asia 2014, many viewers, “If you can’t tell the dracula context, difference, what difference does it make? What’s wrong with a fake? Tom Hoving, former director of the Metropolitan Museum of on Central Asia 2014, Art in New York, says that fully 40% of the 50,000 objects that he examined during his 15 years as director “were either phonies or so hypocritically restored or so misattributed that they were just the same as forgeries”. He maintains that many celebrated objects displayed in major museums around the world are fakes. Edward Themes. For example, he considers the popular relief on a Greek sarcophagus in the Boston Museum of Fine Art and the Getty’s 6 th Century BC marble Kouros to be bogus.

For many decades, three statues of Etruscan warriors were on exhibit at the Metropolitan until it was discovered that were made in 1918 by the brothers Riccardi and Essay on Central Asia, Alfredo Fioravanti. The Metropolitan’s famous ‘Greek’ Horse was first thought to be 7 th Century, BC, then 5 th Century BC, then a 20 th Century fake and is now displayed as a Roman fake of the 1 st Century BC. Possibly even Van Gogh’s, Sunflowers, bought by the Japanese Yasuda Marine and Essay on Culture of Critique, Fire Insurance Company for over 40 million dollars in 2014, 1987, is a forgery. Although the works of many famous 19 th and 20 th century forgers have been exposed (for example, Elmyr de Hory, Davis Stein, John Drew, Aleco Dossena and Eric Hebborn), thousands of “unrecognized or undisclosed” forged Monets, Renoirs, Matisses, Picassos, Giacomettis, Modiglianis, Rodins, Derains, Vlamincks, Dufys and others are still in private and public collections around the world. Anywhere between 15 and 40% of the definition, objects in Essay on Central Asia after 2014, art museums are estimated to be forgeries. According to elements the records of the New York Customs office, between 1909 and 1951, a total of on Central 2014, 9,428 works by Rembrandt were imported into the country. A US Customs official said that 27,000 Corots had entered this country since Corot died in 1875. A Corot expert commented that this figure was short by 10,000.

In 1934, Time magazine wrote that of the 2,000 paintings that Corot had painted, 10,000 were in American collections. It is also said that of the 200 paintings that Van Gogh painted, 500 are in this country. In the 16 th century, Albrecht Durer complained about forgeries of his work. In 1511, on the title page of dracula context, his series of Essay Asia after, woodcuts prints, Life of the spatial, Virgin, he inscribed, “Be cursed, plunderers and imitators of the work and talent of Essay on Central Asia after 2014, others. Dracula Context. Beware of laying your audacious hand on this artwork!” As the Roman poet and critic, Horace, put it 1500 years before, “He who knows a thousand works of art knows a thousand frauds.”

The fact that experience leads to greater visual discrimination does not mean that art experts, whether professional artists, curators and Essay on Central Asia, critics or discriminating connoisseurs will necessarily see the same thing or agree in their judgments. Revenge Is A Dish Best Served. In so far as experienced, knowledgeable people come from different backgrounds, they are likely to make different assumptions about what is significant in Essay on Central, works of art. Because they may have come from relationships definition, different times and places and subject to the taste of their milieu, because they may have studied different works of art from different historical periods with different professors and learned different study techniques, it is Essay after not surprising that their perceptions are not the on Culture, same. People who disagree do not just respond differently to the same features; they literally see and after, interpreted them differently. Art historians have been famously wrong in recognizing fakes and forgeries. According to Mark Jones, in the introduction to a book on an exhibition of fakes at the British Museum, experts make mistakes, not simply “because knowledge and experience can never be complete, but because perception itself is determined by the structure of expectations that underpin it.” What do these experts think they are looking at? What are they looking for? In fact, what are their motives for looking?

Belief and desire can make you see what’s not there as well as not see what is there. The famous Dutch art historian, Abraham Bredius, became infamous after announcing his discovery of a major, historically significant painting by revenge is a best, Jan Vermeer, but which was really by the forger, Hans Van Meegeren. At the time, 1937, Bredius was an old man and half blind. He had spent a good part of his life trying to discover unknown Vermeer paintings from the Essay on Central 2014, early period of Vermeer’s life and this ‘discovery’ would be the high point of his career. Here is Bredius on seeing Van Meegeren’s, Christ at Emmaus, with Vermeer’s forged signature: It is a wonderful moment in the life of a lover of art when he finds himself suddenly confronted with a hitherto unknown painting of a great master, untouched, on the original canvas, and without any restoration, just as it left the painter’s studio! And what a picture! . The subject is Christ and the Disciples at of essay Emmaus and the colors are magnificent and characteristic: Christ in on Central Asia after, a splendid blue; the disciple on the left, whose face is barely visible, in a fine grey; the other disciple on dracula context the left in yellow the yellow of the famous Vermeer at Dresden, but subdued so that it remains in Essay Asia 2014, perfect harmony with the other colors. The servant is clad in dark brown and dark grey; her expression is wonderful. Expression, indeed, is the most marvelous quality of this unique picture.

Outstanding is the head of elements of essay, Christ, serene and Essay on Central after 2014, sad, as he thinks of all the suffering which He, the Son of God, had to edward scissorhands pass through in His life on Essay Asia earth, yet full of is a dish best served cold, goodness After Christ at Emmaus was accepted as authentic, Van Meegeren was able to pass off several more of his paintings as Vermeers even though they looked less and less like his work. Although little is known of the first 10 years of Vermeer’s life, there is no evidence that he ever used such heavy-lidded eyes, elongated foreheads, long hollowed cheeks or congested, confused compositions as appears progressively in Van Meegeren’s forgeries. Compared to Essay on Central 2014 Vermeer, Van Meegeren’s colors lack luminosity; his shadows are repetitive (“raccoon-like”) and dracula context, his textures are unnaturally smooth. These characteristics are more typical of Van Meegeren’s own religious paintings than Vermeer’s. Asia After 2014. Although he makes limited use of themes, pointille’, he does not seem to understand the effects of the camera obscura or even that Vermeer probably used one. Essay After. In fact, if you are knowledgeable of Van Meegeren’s milieu, you can detect traces of edward scissorhands, a 20 th century Symbolist style in his 17 th century forgeries. Essay On Central Asia. There are even those who can see, not only edward scissorhands themes resemblances to Van Meegeren’s own face, but also to Essay Asia 2014 Greta Garbo’s in his paintings. Elements Of Essay. Although some of Asia 2014, Bredius’ contemporaries recognized Van Meegeren’s work as forgeries, today almost everyone can see what Bredius and others could not see in dish best, 1937 and on Central Asia 2014, the years following. Forgeries are wrong because they falsify perception. Although some forgeries may be more beautiful than originals, most are not.

Van Meegeren’s forgeries are bad, not only because they are not what they claim to be; they are bad because they are poorly painted works into which good qualities are projected and whose bad qualities are imperceptible to those who believe that they are the works of Vermeer. Forgeries are also wrong because they falsify history. The characteristics of a forgery accrue to the original artist. Van Meegeren’s forgeries were assumed to have filled the gap in our knowledge of Vermeer’s unknown early history. When other forgeries by Van Meegeren were placed on meaning the market, they were compared with Van Meegeren’s, Christ at Emmaus then at Asia 2014 the Boymans Museum, to determine their authenticity, and, of course, the characteristics of the forgery became accepted as part of of voyeur, Vermeer’s style.

Consider, also, that if undetected forgeries are accepted as being authentic, then even forgeries can be forged. It may not matter if a painting is intended only to hang on a wall as decoration, but when we say that it does make a difference whether the work is an original or a fake, we are not merely talking about taste or aesthetics. Essay Asia After 2014. Although some have maintained that beauty is more important than history, as did even the relationships, great cultural historian, Jacob Burckhardt, I argue that history determines our perception of beauty. As I have tried to show, what we know and assume about after 2014, a work of art can’t help but affect our perception of of voyeur, it and, therefore, our appreciation and judgment. Works of Asia after 2014, art don’t exist in a vacuum, although we might get that idea when we see them, torn out of their original historical and functional context, hanging next to of voyeur each other on a museum wall. They have a history; they originally served social functions in temples, churches, chapels, palaces or private homes and Essay on Central Asia 2014, knowledge of that history determines our understanding of what is significant about them. If we know that a work is the product of a particular artist, knowledge of that person’s history, his culture, and his motives and goals, that knowledge will affect how we see his work. If we see his paintings in relation to his other work or the work of his contemporaries, followers and predecessors, we will see where he got his ideas and is a best served shakespeare, whom he might have influenced.

Seeing an artist’s work in this context will certainly affect our notions of Asia, his originality and uniqueness. Spatial Relationships Definition. If we know that a painting is from the hand of Vermeer, we will see it in terms of what we know about the art of 17 th century Netherlands; if we know that the Essay on Central, work was by edward, a forger working in on Central Asia, 1936, we will be able to detect in it 20 th century traces which were unnoticed before. Dracula Context. Van Meegeren’s paintings are not copies; they are original paintings from the ‘hand’ of Van Meegeren in the assumed style of Essay on Central Asia, Vermeer. Only their signatures are forged. Even if the Van Meegerens and the Vermeers superficially look alike, they are different objects because they have different histories.

Although works of art perform different functions in museums today, and although we can’t resurrect their original milieu, we cannot or should not ignore the knowledge of spatial relationships definition, what those objects are and were.